Ishidaya Tlacualcalli Japón ītēchcopa Atsushi Kawaguchi

Tlanāhuatīlli Ishidaya Tlacualcalli Japón ītēchcopa Atsushi Kawaguchi cē cencā mahuizzō tēmacēhualōni īpan huēyi 2026 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2026

Ishidaya Tlacualcalli Japón

īpal Atsushi Kawaguchi

Tlanāhuatīlli: Ishidaya

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

6,937

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #180958

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Ishidaya Tlacualcalli Japón

Ishidaya ce tlacualcalli Japón itech tlahtocayotl tlahco Hanoi. Inin tequitl quitequitiltia Taisho Roman, ce cahuitl campa monamiquiah tlamahuizolli Japón ihuan tlamahuizolli Occidente, quen itlahtocayo, tlahconemi itzalan yecnezcayotl Japón ihuan icualnezca calli ic Occidente. Ce cuahuitl tlanechicolli ipan mostrador quinepanoa huehuetlamantiliztli tlachihchihualiztli ihuan Art Deco tlanezcayotl, ihuan mochihua ce hueyi tlachializtli tlanezcayotl. Amo quen tlachihchihualiztli, quiyocoya tlaixmatiliztli itech tlahuilli ihuan tlein mopatla campa titlachia. Nezcayotl ce tlaltepetlaliliztli tzacuhtli in tlanechicoa tlamachiliztli tlahtolnamiquiliztli ihuan quitemaca ce chipahuac tlacaquiliztli itech axcan tlacualiztli ipan Hanoi.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Ishidaya Tlacualcalli Japón ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Ishidaya Tlacualcalli Japón ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Ishidaya Tlacualcalli Japón quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Huēyiliztli īhuān Tlacualtepēhualli: Renovation of existing buildings
Tōcāitl: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Tlachīhualiztli Māchiyōtl: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Tlanāhuatīlli Nētēcahuilīztli: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Tlatēmōliztli: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Tēyōllālīliztli: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Tēquitl Cāhuitl: The project started in August 2024 in Hanoi and finished in April 2025.
Tēquitl Ōhuitl: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Īxiptla Tlanēxtīlli: All photos / HIROYUKI OKI