Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl) ītēchcopa Hugo Ferreira

Tlanāhuatīlli Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl) ītēchcopa Hugo Ferreira cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tepoztlacuilolli, Yexcan Tlanahuatilli, Ixiptlatzintli ihuan Tlanextiliztlacuilolli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTepoztlacuilolli· 2025

Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl)

īpal Hugo Ferreira

Tlanāhuatīlli: Okdraw

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tepoztlacuilolli Tlamantli

4,538

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #172997

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl)

Terra ce yolitiliztli tepitzin tlaixiptlayotl campa teuhtli, tlaltictlatzicoliztli ihuan tlacachihualli tlapanquetzalli yehhuantin in huei tlamantli. Inin tlaixiptlayotl huehcahua achi macuilli minutoh, quitequitiltia ce tlaixnamiquiliztli 2.35:1 ihuan quipia in cuicatl E2 itech in cuicanimeh Muay. Terra momana quen ce tlamahuiztiliztli inahuac calmanaliztli, tepoztlamatiliztli, tlamatiliztli-tlaixiptlayotl cinema ihuan cuicatl. Inin tequitl omochiuh ica 3ds Max ihuan Corona Renderer, ica tlayectlaliztli ihuan tlapalyectlaliztli ipan Adobe tepoztlahcuiloloni. In yolitiliztli, in tlaixcopinaloni itequiuh ihuan in tlanextiliztli omochiuhqueh ica maitl, in oquic in netzotzonaliztli, in tlatopontli ihuan in tlatzayanaliztli omoixnezcayotihqueh ica plugins. In brutalista tlachihchihualiztli oquiyacana in tlachializtli ohtli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl) ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl) ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Terra Ixiptlayolli Amatlahcuilolli Tepitzin (Yolitiliztli Tlaixiptlayotl) quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Terra is a short animation film, based on a what if kind of story, where, dust, gravity, and man made ruins are the protagonists.
Terra was written for the music E 2 of the band Muay - a music written inicialy for the live Soundtrack for the movie Earth (Terra), of Aleksandr Dovzhenko.
Terra attempts to be an honest homage to architecture, technology, sci-fi movies, and music.
Huēyiliztli īhuān Tlacualtepēhualli: Length: 5.20 min
Type of film: CG Animation
Aspect Ratio: 2.35:1
Music: E2 by Muay
Tōcāitl: music, video, short film, brutalism
Tlachīhualiztli Māchiyōtl: We wanted to implement as much of our daily work flow as possible, so our setup did not deviate much from the industry standard. We used 3ds Max with Corona Renderer, and
Adobe After Effects and Premiere for editing and color correction.
Our approach was straightforward, with us solving problems as we encountered them and
embracing limitations as part of the creative process. We were more concerned with the results than with realistic physics – if it looked good, me would move on. All the animation, camera work, and lighting were done by hand. The only exceptions were the rock collisions, explosions, and cracks, for which we used the Phoenix FD plugin and tyFlow to simulate various effects.
Tlanāhuatīlli Nētēcahuilīztli: Curiously enough, the most difficult part was probably working free from the constraints of a client: with endless possibilities, it is hard to establish boundaries. Between the music, story, and visuals, it was not easy to strike the right balance. Occasionally, we went too far while experimenting and had to dial it down a notch.
Tlatēmōliztli: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism.As we were not used to work with this aesthetic, we submerged ourselves in movies like 'The
Tragedy of Macbeth, Lighthouse, and Sin City. We also consulted the photography of Saul Leiter
and Sebasião Salgado. All of these references helped us to understand how, in the absence of
color, we can use contrast as a shaping, and eye-guiding tool. Consequently, lighting direction,
camera movement, and post-production went hand in hand at all times.
Tēyōllālīliztli: Terra finds its primary inspiration in a fusion of Sci-Fi movies, utopian ideals and stories, music, ancient machines, the solidity of rocks, and the aesthetic of brutalism. Examples:
Tēquitl Cāhuitl: This project started in August 2022 and was finished in February 2023. Was writen, directed and produce on our studio, with the help of Rebus Farm.
Tēquitl Ōhuitl: Watch it and listen to it.
Patentēmeh: Copyrights belong to Okdraw, 2025.
Īxiptla Tlanēxtīlli: Written, Directed and Produced by: Okdraw
Music by: Muay