Zig Zag Yancuic Chalchiuhchihchihualistli ītēchcopa Mayte Ossorio Domecq

Tlanāhuatīlli Zig Zag Yancuic Chalchiuhchihchihualistli ītēchcopa Mayte Ossorio Domecq cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCozquitl· 2025

Zig Zag Yancuic Chalchiuhchihchihualistli

īpal Mayte Ossorio Domecq

Tlanāhuatīlli: Mayte Domecq

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Cozquitl Tlamantli

21,546

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #171308

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Zig Zag Yancuic Chalchiuhchihchihualistli

Ipan Melahuac Ica Coltic: In Cuecueyoca Quipia Inacayo. Inin tlamachiliztli tlachihualli quitemohua quen ce melahuac tlachia mopatlahua ica coloctli ipan tlatecoliztli. In tlaneltoca catca ma mochihua ce chicahuac auh cualnezqui cozcatl, niman amo miac tlapopolhuiz auh quipiya cualli tlachihualiztli. In nemiliztli ica melahuac tlamachiliztli, campa miyec tlatequiliztli auh tlacoloaliztli omotemoh ica ma mochihua in monequi patlaniztli auh nacayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Zig Zag Yancuic Chalchiuhchihchihualistli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Zig Zag Yancuic Chalchiuhchihchihualistli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Zig Zag Yancuic Chalchiuhchihchihualistli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: From straight to curved: the Zig Zag takes shape. Morphological transformation and body adaptation through transversal, equidistant, and rhythmic linear cuts. Each piece starts from double layered, overlapping leather rectangles that, through specific cuts, create distinct visual and functional rhythms depending on their placement, necklaces, bracelets, or earrings. This, along with the reuse of remnants, optimizes resources and maximizes material exploration.
Huēyiliztli īhuān Tlacualtepēhualli: Double glued leather, in different colors and textures, pastel, metallic and basic.
Earrings w 3mm d 20mm h 65 mm. Necklace mini w 3mm d 25mm h 480mm. Necklace big w 3mm d 60mm h 540mm. Necklace 8 w 3mm d 30mm h 900mm. Bracelet w 3mm d 60mm h 220mm. Packaging is custom cardboard with outer loop, brand label, card and heart.
Tōcāitl: from straight to curve, morphological transformation, jewelry, sustainability, body adaptation
Tlachīhualiztli Māchiyōtl: Double layer cowhide leather, bonded together.
Manufacturing, handcrafted using hole punch tools.
Cutting dies are used for all necklace bodies, shaping straight edges into curves through repetitive, equidistant transverse cuts. This method minimizes material use, ensures optimal body adaptation, maximizes efficiency, and creates unique differentiation between pieces through variations in the cuts.
Tlanāhuatīlli Nētēcahuilīztli: For the Zig Zag line, the challenge was to create a bold necklace without relying on large leather surfaces, using mostly small remnants. The key was generating curvature after cutting, transforming a 22 cm x 6 cm rectangle, the one used for the bracelet, into a striking piece. Equidistant cuts were tested to determine how close they could get to the edge for flexibility without risking breakage. Unlike a single cut piece, this method required precision to maximize material use while ensuring structural integrity.
Tlatēmōliztli: From straight to curved: the Zig Zag takes shape. This is an applied research project aimed at transforming a straight line into a curve through cross sections. The goal was to create a strong necklace while minimizing material use. The methodology involved direct experimentation with the material. The result was remarkable, not only was the design immediately accepted, but it also received a clearly positive response. It is sold in Germany, Turkey, and Argentina.
Tēyōllālīliztli: When covering a notebook, rigid paper finds its flexibility through precise, cuts it folds, adapts, and embraces the shape without losing structure. That same principle guides the Zig Zag line. A firm lined rectangle transforms through strategic cuts that allow it to fall gracefully, as if the material were learning to move. Thus, what was once static becomes fluid, geometry adapts to the body, and air becomes part of the design.
Tēquitl Cāhuitl: The proyect started in January 2019 with the bracelet, january 2022 and finished in July 2022, the hole line in Bs As Argentina.
Tēquitl Ōhuitl: Designed for comfort and easy wear, these pieces can be put on without assistance. Ideal for daily use, they have the right weight to prevent strain. Their material ensures silent movement. Both necklaces and the bracelet feature metal cufflinks for secure fastening. The bracelet has two adjustable positions. The earrings use standard stainless steel posts that fit seamlessly into the earlobes.
Patentēmeh: Awarded the Sello del Buen diseño Argentino 2024 (Seal of Good Argentine Design 2024) #5429
Calpolli Tlācah: Mayte Ossorio Domecq
Īxiptla Tlanēxtīlli: Image #No 1 : Photographer Edgardo Delfino Model Sergio Calegoya
Image #No 2 : Photographer Edgardo Delfino model Mayte Ossorio Domecq
Image #No 3 : Photographer Edgardo Delfino
Image #No 4 : Photographer Edgardo Delfino
Image #No 5 : Photographer Edgardo Delfino