Huazolo Aphrodites Tlahcuiloltilmatli ītēchcopa Cynthia Gomez

Tlanāhuatīlli Huazolo Aphrodites Tlahcuiloltilmatli ītēchcopa Cynthia Gomez cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlaquentiztli, Tilmahtli ihuan Tlaquemitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlaquentiztli· 2025

Huazolo Aphrodites Tlahcuiloltilmatli

īpal Cynthia Gomez

Tlanāhuatīlli: Ensamble Artesano and Niu Matat Napawika

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlaquentiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #169193

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Huazolo Aphrodites Tlahcuiloltilmatli

Inin tequitl omochiuh ipan necentlapaltequiliztli intech toltecah tlahcuilolnequi altepemelahuaqueh Oaxaca Mexico ihuan tlachihchihualtin, momachiotiah tlachihchihualiztli aquin quimocentlaliah neixcuitiliztli, tozcayomeh ihuan tlamachtiliztli altepemelahuaqueh ihuan tlachihchihualtin intlachializttzin ipan ce yancuic tilmayotl tlachihualli. Ipan mocenpopolhuiliztli huehueh tlamachtiliztli quemeh ahtlein xipolihuiliztli ihuan yancuic cualnezcayotl, inin tequitl quitzonquixtia tlamatiliztlahtolhuic tlamahuizolli intequiuh toltecah ihcuac quinmaca tominehualiztli ihuan quitzonquixtia cualnezcayotl intoltecayo ipan yancuic tlachihchihualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Huazolo Aphrodites Tlahcuiloltilmatli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Huazolo Aphrodites Tlahcuiloltilmatli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Huazolo Aphrodites Tlahcuiloltilmatli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This was a collaboration project with the embroiderers Huazolo Aphodites, with the aim of keeping artisanal production alive and preserving the ancestral textile techniques of the community of Santa María Huazolotitlán, Oaxaca, Mexico. It consisted of working together between the designers and the indigenous embroidery master craftsmen,creating a proposal that integrated identity, symbology, and techniques of indigenous communities with the designer's vision in a contemporary fashion product
Huēyiliztli īhuān Tlacualtepēhualli: poncho 90 cm x 120 cm
blouse 60 cm x 60 cm
dress 90 cm x 80 cm
Tōcāitl: collaboration, indigenous communities, embroidery, heritage, traditions, sustainable, fashion
Tlachīhualiztli Māchiyōtl: The exchange of knowledge between artisans and designers was achieved, exalting embroidery techniques, promoting sustainability by using local textiles and inputs, as well as managing zero waste in clothing using squares and rectangles for each pattern, based on the traditional indigenous huipil technique.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was to generate empathy and communication with the indigenous communities since they were more than 1000 km from Mexico City.
We had many meetings to be able to delve into their culture and understand what was most relevant to them in terms of their techniques and silhouettes, so that together we could design garments with which they could identify and produce.
The other challenge was to find sustainable silhouettes and local materials.
Tlatēmōliztli: It all started with an immersion with the artisans, to understand their culture, clothing, and techniques they used since past times.
Several meetings were held, sharing the symbols they use; seeking empathy, understanding how relevant textiles are for them.
We crossed many design ideas, until reaching the final proposal, using rhombuses and animals of the region that are part of their embroidery, but fusing them with topography of the place to connect with the contemporary designs. We promote sustainability with zero waste in patterns through the interpretation of their huipil which is made from rectangles.
Tēyōllālīliztli: We immersed ourselves in the community to learn about its culture, identity, traditions, as well as its clothing and textile techniques. They shared with us the meaning of the symbols they embroider, such as the multicolored rhombuses that show the days of the week and the animal figures that represent the fauna of the region.
The designs took as inspiration the topography of the town, representing the intersections of its streets in diamond and the fauna amplified and segmented in the design
Tēquitl Cāhuitl: The project started in March 2023 and finish in February 2024
Tēquitl Ōhuitl: They are easy to handle garments, as they are made from squares and rectangles.
Calpolli Tlācah: Cynthia Gomez
Īxiptla Tlanēxtīlli: Photographer Silvestre Garcia
Hairstylist Ignazio Muñoz
Makeup artist Ian Bautista
Models Diana Ortiz and Aislynn Diana
Stylist Vanesa Bojalil