Tlanāhuatīlli Luck Tōltēcayōtl Tlālāltīliztli ītēchcopa Maja Kirovska cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.
BronseToltecayotl· 2025
Luck Tōltēcayōtl Tlālāltīliztli
īpal Maja Kirovska
Tlanāhuatīlli: Maja Kirovska
Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Toltecayotl Tlamantli
Tlaneltīlīlli Tēmacēhualōni
Xictlaneltilia Tēmacēhualli ītēchcopa #166893Tlanēxtilistli
Ītechcopa Luck Tōltēcayōtl Tlālāltīliztli
Pactli cē tlaneuhcayōtl tōltēcāyōtl tlālāltīliztli ca, centlālia īxiptlahcuilōlli, mācēhualli īhuān ehcohtli tlamantli, īhuān yōlīxiptli īc camanallōtica occeppa quichihua in pactli tlachihualiztli. Īpan cē cē īxiptlahcuilōlli īhuān tlamatiliztli āmoxtli tēchittītiah iztlacāyōtl nāuhpatlāctli xihuitl, in tequitl tēmohtlānia in neltiliztli, machiyōtl altepētlamanītilizpan huel īxmatih, īhuān in ōhuīc cemānāhuacāyōtl pochotla īhuān ilpia in paquiliztli tlanequiliztli. Piāltōc īpan yēhuātl īilnamiquiliztli, quichīhua īc īxmachōlli īc tlanextilia nemiliztli īpampa yōlqui camanallōtl īhuān ītta tlahtōlli mochīntin quipiyah.
Tēixīmachōtiliztli
Ītechcopa Mahuizolli A' Design Award Bronse
Luck Tōltēcayōtl Tlālāltīliztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Luck Tōltēcayōtl Tlālāltīliztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Luck Tōltēcayōtl Tlālāltīliztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.
Tlanēxtilistli Ītēixpan
Āmatl Tlanextīliztli
Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.
- Cē Zan Ītēchcopa
- "Luck" is an conceptual art installation that combines photography, handcrafted objects, found objects, and video to represent ironically a process of manufacturing luck. Seven photographic steps demonstrate the process of creating fake four-leaf clovers and thirteen encyclopedias display dry counterfeit four-leaf clovers. This installation challenges perceptions of authenticity and luck by presenting "do-it-yourself" instructions for fabricating luck, critiquing the superficial pursuit of fortune.
- Huēyiliztli īhuān Tlacualtepēhualli
- Seven digital photographs (each 460 x 305 mm), thirteen books placed on thirteen pedestals (each pedestal approx. 900 x 300 x 300 mm), video displayed on monitor (dimensions variable). Overall installation dimensions are variable and depend on exhibition space.
- Tōcāitl
- irony in art, DIY, conceptual art, mixed media installation, digital photography, video art, contemporary art, participatory art, found objects, narrative art
- Tlachīhualiztli Māchiyōtl
- The installation "Luck" combines conceptual and traditional methodologies. The pressed clovers were crafted by attaching a fourth leaf to trifoliate clovers, preserved as herbarium specimens. Encyclopedias, opened to random pages, create meaning by chance, highlighting the role of serendipity. A photographic sequence and video show the process of crafting these clovers.
- Tlanāhuatīlli Nētēcahuilīztli
- The main challenge was selecting and combining media to convey the concept clearly and accessibly. Balancing visual elements with the right amount of information was crucial. Professional equipment was used to ensure high-quality documentation of the crafting process. Although the technical execution was familiar, the focus was on clarity, coherence, and strong visual communication to prompt reflection.
- Tlatēmōliztli
- This is a conceptual art research project grounded in personal memory and socio-cultural reflection. The objective was to explore how symbols of luck are created and socially accepted. Using visual analysis and memory, a handcrafted method was applied with tools for model- and jewelry-making. The process was documented via video and photography. The work reveals irony in superstition and false luck, using familiar media to make its message accessible and impactful.
- Tēyōllālīliztli
- Inspired by childhood memories of creating four-leaf clovers by hand during summer holidays in the countryside, when real ones could not be found, this project revisits a self-invented crafting process. It draws from personal experience to explore the widespread cultural symbolism of the four-leaf clover, and critically examines how society constructs and embraces ideas of luck, fortune, and superficial happiness.
- Tēquitl Cāhuitl
- The project started in December 2014 in Skopje and was first exhibited from December 24, 2014 to January 20, 2015 in the solo show "Cleanroom" at Gallery KO-RA, House of Culture "Koco Racin". It was later shown in 2015 at Gallery Karas, Zagreb, in 2016 at Gallery "Casa da Garrida", University Fernando Pessoa, Ponte de Lima, Portugal, and in 2021 at Beyond the Borders, Chang Kil-Hwan Art Museum, Gangneung, South Korea.
- Tēquitl Ōhuitl
- Viewers interact by moving through the space: first encountering seven photographs that act as a step-by-step guide to fabricating a four-leaf clover by attaching a fourth leaf; then exploring encyclopedias opened on random pages, each with a set of pressed clovers; finally, watching a video that reveals the clovers are naturally trifoliate. The interaction is contemplative, guiding the viewer to question constructed beliefs and the superficial pursuit of fortune.
- Īxiptla Tlanēxtīlli
- Image #1: Photographer / Ana Lazarevska, Luck, 2014.
Image #2: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #3: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #4: Photographer / Creator Maja Kirovska, Luck, 2014.
Image #5: Photographer / Ana Lazarevska, Luck, 2014.
Video Credits: Videographer/ Maja Kirovska, Luck, 2014.
Tlacōhualli
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Tlanēxtīliztli Tlanāhuatīlli
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