Marka Miec Tequihua Icpalli ītēchcopa Adel Alserhani

Tlanāhuatīlli Marka Miec Tequihua Icpalli ītēchcopa Adel Alserhani cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2025

Marka Miec Tequihua Icpalli

īpal Adel Alserhani

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

19,082

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #161622

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Marka Miec Tequihua Icpalli

Nican mochihua Nepantlah Mamatlaxtli-Icpalli, ce icpalli ome tlacatl ipan quicuitiah, huel mopatla ipan amoxocpal icpalli amo clavos amo tzacutl monequi. Inin pahuilli chihualiztli quitemoa neyoliliztli icpaltiliztli ihuan yectli nemiliztli. Motlalihticateh ipan camello-icpalli in Beduino nenqueh quinequiah, monecentlalia huehueh altepeyoliliztli ihuan axcan cualnezquilizmatiliztli. Cualli calitic ihuan calihuac, mochipa ipan altepemeh Tlalnahuac Tonatiuh Icalaquian ihuan Asia, inin quimaca necentlaliztli ihuan yecnemiliztli, quitlatlauhtia tlacatl ma quipahui nepan icpaltiliztli ipan pahuilli chicahuac yoliliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Marka Miec Tequihua Icpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Marka Miec Tequihua Icpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Marka Miec Tequihua Icpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Modular armrest for two persons could convert into legless chair without any use of screws or glue giving the user the ability to change positions in a healthy and fun way of assembling .The design is a modern floor seating inspired by camel saddle that have been use as an an armrest when bedouin nomads settle . Marka could be use as an outdoor furniture and as an indoor in another regions such as middle-east and asia where floor seating is more common.
Huēyiliztli īhuān Tlacualtepēhualli: - Panel (A) H:50cm - W:50
- Panel (B) H:50 - W:40
- Cover : consist of three padded section connected by hidden level adjustable joinery .
- Triangular Pillow
First position (marka) : can be slides into each other as an X shape to be floor armrest .
Second Position ( legless chair ) : insert Panel B into Panel A to have legless chair and by using the padded cover and the triangular shaped pillow you have the ability to change between various body positions
Tōcāitl: Floor seating , Cultural Furniture , Modular furniture , Lightweight, recycled, recyclable, suitable, cosy , Creative, innovative,
Tlachīhualiztli Māchiyōtl: Keeping the flow of organic multi uses of this ancient furniture the designer intention is to develop from natural and recycled composite materials to reserved this amazing connection and harmony between land and humanity that trace back to the main inspiration of this design . the base of the piece will be made of 100% recycled and recyclable polypropylene recovered from local furniture production waste and the local auto- motive industry.
Tlanāhuatīlli Nētēcahuilīztli: Living in a massive and vast city such as Riyadh, with a population of almost 8 million, I have noticed a growing sense of loneliness among individuals. This might be due to the booming economy and rapid development across all sectors. However, it social effects have become more noticeable, with people feeling a sense of strangeness and not belonging. In our pursuit of progress, we must not forget the importance of maintaining the social fabric that binds us.To address this, we need to foster sharing and caring through genuine human interaction, reclaiming the sense of community that has always been a cornerstone of our identity. The motive behind this design challenge is not to force change but to provide a solution to this social phenomenon within an everyday product that everyone needs.
Tlatēmōliztli: The product sparks from Social and Behavioral Research that aims to explore the shift in social norms and traditions within Arab societies, focusing on the contrast between historical communal lifestyles and the contemporary situation. The study examines how these changes impact individual behavior and social well-being.the main goal is to Design an everyday object that encourages social interaction and strengthens the sharing spirit in ones life. This project should seamlessly integrate into daily life, promoting genuine connections and a sense of belonging.The research method form Marka was in Arab Literature and archived images and paintings from Orientalists on the other hand I ran few social studies on social media and public spaces and verbal interviews to have a sense of the general atmosphere among society and I noticed the following :
Economic Pressures: The pursuit of economic success and the demands of modern careers have shifted focus from communal to individual goals
Technology and Social Media: While these have connected people globally, they often contribute to physical isolation and superficial interactions.

mpact on Individuals:

Social Isolation: The weakening of traditional social networks can lead to feelings of loneliness and alienation.
Mental Health: Increased stress and mental health issues are linked to the loss of community support.
Identity and Belonging: Rapid cultural changes can lead to a crisis of identity and a diminished sense of belonging.
Tēyōllālīliztli: In revisiting our visual memory, the bedouin lifestyle emerges as a profound influence on the concept of Marka. Constant traveling was not just a way of living it was a celebration of freedom, encapsulated by exploration and following the unknown. This Bedouin spirit manifested in the practical use of the design multipurpose, lightweight, and easy to transport.Originally, Marka used as a saddlery for camel riding. However, when bedouin communities settled, Marka transformed into a furniture piece . From this concept of multifunction and modularity I found the bridge that links this rooted product to a contemporary product all in one design .
Tēquitl Cāhuitl: Project started in September 2023 in Riyadh - Saudi Arabia . The prototypes started in early 2024.
Tēquitl Ōhuitl: The First position of Marka is a call to have a dialogue with the others while the second position gives the modern need to have a moment for the individual .