Balhae Tlacatlachīhualiztli ītēchcopa Ziwan Li

Tlanāhuatīlli Balhae Tlacatlachīhualiztli ītēchcopa Ziwan Li cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Tepoztoltecayotl Nēhuilīztli Tlamantli.

TepoztliTepoztoltecayotl· 2024

Balhae Tlacatlachīhualiztli

īpal Ziwan Li

Tlanāhuatīlli: Ziwan Li

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tepoztoltecayotl Tlamantli

54,434

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #158219

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Balhae Tlacatlachīhualiztli

In īxiptlayōtl īpan in tequitl quitōca in tlamachtli Junghyae īhuān ī-tēmachtiani, Temachtiani Yoo, nōtzalōqueh Gyeru āltepētl īpan īnic quixtīzqueh yēyecameh īlhuicaātl ītech. Īn-nenēmilis quixtilia Balhae ī-tlamatiliztli īhuān ī-nāhualisyō. Inīn tlacatlachīhualiztli tequitl quimauhtia Balhae ī-āltepeyōtl, mōnepantlālia huehcāyōtl īhuān temictli. In tlahcuīlōāni ī-yolpāzmiquilis īpan huehcāyōtl, tlamatiliztli īhuān tilmatli ahmo zan quimaca inīn tlachihualiztli tequitl cuālnezcāyōtl īhuān tequitl-tlahtolli, nō-ihqui quimaca huehcāyōtl tlamantli īhuān ce cuīcāyōtl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Balhae Tlacatlachīhualiztli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Balhae Tlacatlachīhualiztli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Balhae Tlacatlachīhualiztli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Set in the flourishing ancient kingdom of Balhae, 926 CE, this story follows apprentice Junghyae and her mentor, Master Yoo, called to Gyeru village. Tasked with banishing spirits from the shallow seas to ensure safe mermaid hunting for the locals, their journey illuminates the era's rich culture and mystical practices. This character design project is a visual homage to Balhae's lost civilization, blending history and fantasy through art.
Huēyiliztli īhuān Tlacualtepēhualli: size: 127 cm * 127 cm, 300 dpi
Tōcāitl: 2D, Character Design, Digital Arts, Fantasy, History
Tlachīhualiztli Māchiyōtl: Character designs in this series are designed with pencil and rendered in Procreate software and Photoshop CC software.
Tlanāhuatīlli Nētēcahuilīztli: Balhae was a historical kingdom that was conquered by the Khitans in 926 CE. Its legacy is somewhat enigmatic due to the scarcity of surviving artifacts, artworks, or detailed contemporary accounts about its culture, as it faded from history centuries ago. Undertaking a project to resurrect Balhae's rich cultural tapestry without abundant reference material was a formidable challenge.
Tlatēmōliztli: To reconstruct the lost civilization of Balhae authentically, I extensively researched historical descriptions, geographical studies, and neighboring societies. This included delving into customs, religious practices, military strength, and climate conditions of nearby regions like the Tang Dynasty, Khitans, Koguryo, Paekche, and Silla. Synthesizing this data, I engaged in speculation to envision Balhae's unique cultural identity, creating a credible representation of its vibrant society. This project aimed to honor Balhae's historical significance and imagine the daily lives of its people.
Tēyōllālīliztli: The artist is deeply fascinated by the nuances of history, culture, and historical fashion. They delved into the history of the lost kingdom of Balhae, marveling at the richness and vibrancy of a culture that thrived thousands of years ago. They felt a profound sense of loss for such cultures that have vanished in the tides of history. Inspired by Balhae's legacy, they embarked on a creative journey to resurrect this long-forgotten culture through a fantasy narrative.
Tēquitl Cāhuitl: 2 months, Los Angeles, January 2022
Tēquitl Ōhuitl: The key of this design lies in reviving lost cultures through a meticulous fusion of imagination and the scant textual references sourced by the artist from academic literature, paintings, and sculptures of neighboring countries associated with the lost culture. By imaginatively blending these elements, the artist breathes life into the forgotten cultural narratives.
Patentēmeh: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.
Īxiptla Tlanēxtīlli: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.