Tlanāhuatīlli Move Nehnemi ītēchcopa Ariel Sliwinski cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2024

Move Nehnemi

īpal Ariel Sliwinski

Tlanāhuatīlli: Ariel Śliwiński Studio

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

13,587

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #156196

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Move Nehnemi

Nehnemi in yeh se icpalli tlanahuatilli inic mocuepaz ihuan monequiz itech nochi tlacayotl inic amo tlacocoz. In ipan icpalli huel mocuepa iyolloco quen se cocoxcapetlatl, ihuan in icuitlapampan pilcatoc itech ome tlanamiquiliztli, inic huel molonaltia ihuan mocuepa. Se tlamachiotl tlapaltiliztli tlatlaliltoc ipan icpalli quimahuizotia in tlacatl inic moquetzas zatepan ce huecauhcayotl ica papatlanaliztli. In itzontecon mochihua ica aluminio tlaehualtitoc ica nochi tlacayotl oc ceppa tlaneltoquilli, ihuan in ipan icpalli, icuitlapampan ihuan imamacetlacayo mochihua ica corcho tlatectli ica macuilli axoltin. Nehnemi huel motlaliliaya tlacatl ihuan huicoz ipan tlapechpetlatin caxatin, tlein caxaniz in popocatlazolli ipan tlalticpactli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Move Nehnemi ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Move Nehnemi ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Move Nehnemi quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The chair has ability to adjust to individual needs, and body shape. To achieve the best ergonomics, a seat was employed that, like a cradle, can change its tilt angle. The backrest, on the other hand, suspended at two converging points along the axis, has the ability to rotate and tilt. An additionally designed element is an embedded pressure sensor in the seat. After a specified period, it automatically reminds the user to stand up through vibrations, promoting a healthier sitting routine.
Huēyiliztli īhuān Tlacualtepēhualli: 550mm x 515mm x 740mm
Tōcāitl: ergonomic chair, cork, aluminum, haptic, stackable, health sitting routine, rotating backrest,
Tlachīhualiztli Māchiyōtl: The chair's structure was designed with cast aluminum elements, providing both lightness and rigidity, while the seat, backrest, and armrests were crafted from five-axis milled cork.
Tlanāhuatīlli Nētēcahuilīztli: In the material selection and construction phase, environmental considerations played a significant role in the project. The aluminum used in designing the chair's structure is a material composed entirely of recycled content. The cork, employed for the remaining elements,
is a natural material that can also be recycled. The chair's design was developed to be easily assembled by the user, allowing it to be shipped in flat boxes, thereby reducing its carbon footprint.
Furthermore, all components share the same material, facilitating the option to repair or replace worn elements, promoting sustainability throughout the chair's lifecycle.
Tlatēmōliztli: During several years of working in the furniture industry, I came to the conclusion that there is no such thing as the perfect chair, mainly because each of us is unique and has different needs. In the context of the prevailing global overconsumption, I asked myself whether it makes any sense to design another chair, and if so, what characteristics it should have. In response, a project was created that attempts to reconcile ergonomics, functionality, high quality, and above all, ecology. The main challenge was to create a piece of furniture with a reduced environmental impact and one that would bring a new level of quality to the furniture market.
Tēyōllālīliztli: The primary goal of the project was to create a form in line with the principles of Juhani Pallasmaa. The aim was to provide the user with not only visual but also tactile experiences. The use of materials differing in texture, hardness, and temperature within a single piece of furniture allowed for a design that is intriguing not only visually but also haptically. A crucial aspect of the project was to achieve a form based on material contrasts.
Tēquitl Cāhuitl: the project started in April 2023 in Poland
Tēquitl Ōhuitl: This project is oriented towards the user on multiple levels. Firstly, the organic form, diverse in terms of touch, aims to also appeal to the sense of touch, thereby enhancing the user's connection with the product. On the other hand, movable elements allow the furniture to be adapted to individual ergonomic needs. Its construction has been designed so that the furniture can be easily assembled by the user.