Cultura Cemento Tepancaxitl ītēchcopa Gabriel Costa

Tlanāhuatīlli Cultura Cemento Tepancaxitl ītēchcopa Gabriel Costa cē cencā mahuizzō tēmacēhualōni īpan huēyi 2024 Mahuizolli A' Design Award Tepoztli īpan Caltlamanalli ihuan Calchihualiztli Tlatquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCaltlamanalli· 2024

Cultura Cemento Tepancaxitl

īpal Gabriel Costa

Tlanāhuatīlli: Castaa

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Caltlamanalli Tlamantli

31,008

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #152776

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Cultura Cemento Tepancaxitl

Inin tlachihualiztli quipiya iyollocopinaliztli ipan neyolmelaualiztli ihuan toltecayotl in huehueh Jama Coaque tlacah, macuilpohualli xihuitl achto Cristo, onoca Ecuador. Quipia nauhtin caxitl auh in tequipacholiztli ocatca chihualiztli ce cualli ohtli inic cualli momacehuazqueh in caxitl iixcoyan nohuian. Inon caxitl nepapan quineltilia chihualiztli miyec tlanemachiyotl ahmo cecempa, mozahzalotoc temalacatl tlachihualiztli. Cultura quiyolchicahua auh quimahuiztilia in ilnamiquiliztli ihuan temauhtihualiztli ipan huehueh nican tlachihualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Cultura Cemento Tepancaxitl ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Cultura Cemento Tepancaxitl ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Cultura Cemento Tepancaxitl quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The task presented by the design was to discover an effective approach for aligning the tiling lines seamlessly in every direction. The Cultura design comprised two distinct pieces: tiles A and B, each featuring a unique design. To address this challenge, the decision was made to make tile B a mirror image of tile A. Subsequently, by rotating both tiles 180 degrees, two additional tiles, labeled C and D, were produced. These variations in tiles enabled the production of a diverse array of configurations without repetition, inspired by the roller stamp patterns of the Jama Coaque culture.
Huēyiliztli īhuān Tlacualtepēhualli: Width: 250 mm, Depht: 10 mm, Height: 600 mm.
Material: SSC/GRC.
Texture: Sleek
Finish: Semigloss
Tōcāitl: wall tile, wall element, 3D, concrete, home and living, pattern design, geometric, pattern
Tlachīhualiztli Māchiyōtl: The manufacturing technique utilized involved the use of wet-cast high-performance concrete in thermoformed plastic molds crafted over an engineered aluminum routed matrix to ensure stable dimensions and a sleek semi-gloss texture finish.

After demolding, no modifications were made using any additional sources or tools for finishing beyond those originally utilized during the production process.
Tlanāhuatīlli Nētēcahuilīztli: The creative challenge lay in crafting an original piece to complement the other three, blending them together seamlessly to form a cohesive image of a repetitive bookmatched pattern within a natural design. The concept emerged: diagonal stripes intersected by inlays, mimicking a primitive depiction of animals. These inlays, strategically placed, would provide texture, allowing light and shadow to interact and imbue the entire wall with depth and meaning.
Tlatēmōliztli: The objective was to design a tile with aims of highlighting and bringing back the values of historical Jama Coaque tribe, around 500 B.C, known for intricate designs and innovative techniques. They pioneered the use of a roller stamp for continuous patterns, showcasing their innovation. Instead of using the same patterns, the focus was on enhancing compositions with fundamental design principles and enriching patterns with complexity.
Tēyōllālīliztli: Cultura is inspired by the distinctive shapes and artistic heritage of the ancient pre-Columbian Jama Coaque culture located in Ecuador. Renowned for their use of roller stamps to adorn pottery, textiles, and skin with motifs, they established a unique identity through this artistic tradition.
Tēquitl Cāhuitl: The development of the tile design was made approximately 1 year before production and was manufactured by CASTAA from October 2022 to December 2022 in Duran, Ecuador.
Tēquitl Ōhuitl: The Tiling Method:

a. Determine the wall dimensions.
b. Mark the midpoint along the width.
c. Calculate the tiles quantity required to fill the upper left row
d. Choose your code type: single, bi, tri and quad code.
e. Place the chosen code in the upper left row and fills to the end.
f. Bookmatched by placing the opposite tile on the right half row.
g. Fill the entire second row bellow by placing once again, the bookmatched tiles from the first row with their corresponding opposite tiles.
h. Copy the block area of 2 complete rows downward by replicating it until the entire wall is fully covered.
Patentēmeh: Copyrights C-001-2019-GC (Cultura) belong to Gabriel Costa Year 2019.
Calpolli Tlācah: Designer: Gabriel Costa
Īxiptla Tlanēxtīlli: Image #1 : Photographer Andres Carrion, Cultura, 2023
Image #2 : Photographer Andres Carrion, Cultura, 2023
Image #3 : Photographer Andres Carrion, Cultura, 2023
Image #4 : Photographer Gabriel Costa, Cultura, 2023
Image #5 : Photographer Andres Carrion, Cultura, 2023