Stalker Tepetlacalli Tlatlatlatiloni ītēchcopa Milincu Camil and Tudoran Otilia

Tlanāhuatīlli Stalker Tepetlacalli Tlatlatlatiloni ītēchcopa Milincu Camil and Tudoran Otilia cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Toltecayotl ihuan Toltecayotl Tlatlaliliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseToltecayotl· 2022

Stalker Tepetlacalli Tlatlatlatiloni

īpal Milincu Camil and Tudoran Otilia

Tlanāhuatīlli: Studio Minus

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Toltecayotl Tlamantli

14,665

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #139136

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Stalker Tepetlacalli Tlatlatlatiloni

Stalker in tepetlacalli tlen motlalia ipan tlanepantla calco, ica huel monequi ihuicpa nochi tlacayotl. In tlamantli mochihua ica huahuatl (beechwood), tepozquiahuitl (ash wood) ihuan cuauhpetlatl (plywood), ihuan mochihua ica tezcatl, tepoztli tlachihchiuhtli ica galvanizado ihuan tepoztli tlaixnextilli. Mahtlactli huan ce tlatlatlatiloni amo neneuhqui motlalia amo yolic ipan nochi nahui itenco, ihuan motlatia iixpampa cualli tlilectic tlachihchiuhtli, ihuan tepoztli tlaixnextilli tlaneloliztli quinextia ininyoliz. Nahui tezcatl prismatico quichihua tlanepantla tezcayotl tlen quinnextia intlachializ nochtin tlacah ipan nochi itenco. Stalker omochiuh ica maitl ihuan monehnemi itzalan tlamahuizolli ihuan calnechicolli chihchiualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Stalker Tepetlacalli Tlatlatlatiloni ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Stalker Tepetlacalli Tlatlatlatiloni ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Stalker Tepetlacalli Tlatlatlatiloni quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The stalker is that piece of furniture that one can't ignore.
He stares into one's soul, reflecting facets of the viewer's self. He is the alter ego with many secret drawers, hidden behind a vertical dark texture. Initially created as a mystery chest of drawers, the stalker also has four prismatic mirrors (corner reflectors) which reflect the viewer's eyes from every point one is standing. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it.
Huēyiliztli īhuān Tlacualtepēhualli: 400 mm X 400 mm X 1700 mm
Tōcāitl: stalker, reflection, mirror, hidden drawer, corner reflector
Tlachīhualiztli Māchiyōtl: beechwood, ash wood, plywood, mirror, galvanized steel, tinned steel
Tlanāhuatīlli Nētēcahuilīztli: The most difficult challenge was designing, positioning and aligning the corner reflector within the chest of drawers followed by finding a way of making a symmetrical frame so that drawer fronts were possible to be placed on all sides. Great debate was generated along the final height of the piece, as it is meant to be a mirror image of an unknown person. Many finishing recipes were tested, and in order to make a proper evaluation, the samples had to be made with the same texture as the finished piece.
Tlatēmōliztli: The nominated piece of furniture is at the border between art and furniture design. We believe that such a present piece of furniture as a chest of drawers must have a very personal touch, being a mirror of our personalities and representing us.
The construction is made out of solid wood.
The wooden frame contains eleven non-identical drawers, which are unevenly distributed on all four sides of the piece of furniture.
All the drawers have different rights and fit in the whole depth of the structure. They are made using plywood, on which we applied a texture of wooden vertical wands which continue the general vertical pattern, subtly integrating the enclosures within the design. It is the tinned steel handles that indicate the position of the drawers.
The whole process was an experiment, as the project developed organically, the piece being built manually from the construction level to its last detail. There were also details that had to be changed along the way. The piece of furniture respects the three registers corresponding with the human body: head-body-legs. The legs were an experiment. Being made out of vertical welded steel they didn't support the wooden structure well. That is why they had to be bent.
We believe in the idea of makers, that by building manually a piece of furniture one can also create a piece of art. By working manually, the design decisions are more assumed at a detail level.
The general concept, the structure, and all the details including the finishings are also a controlled result of more tries.
The stalker remains a piece of furniture at the border between art and furniture design.
Tēyōllālīliztli: One of the things the Covid-19 Pandemic did to us was to make us reflect upon ourselves. The stalker is a vessel for our alter ego, constantly and obsessive looking back. As the mirror image must have a soul, Items, memory anchors of our past self are kept in its drawers, concealed behind a vertical dark texture. This piece of furniture creates a visual and philosophical dialogue with anyone who interacts with it.
The stalker represents our alter ego, and is inspired by a person who discovers the partner's secrets, relating to the other person almost as to himself, as a mirror image, however keeping mysterious drawers.
Tēquitl Cāhuitl: The project started in 2020 and was finished in 2021 in Timisoara, Romania
Tēquitl Ōhuitl: The stalker is a piece of furniture that can be positioned in the center of a room, so he can be approached from any side.
Calpolli Tlācah: Milincu Octavian Camil
Tudoran Otilia Alexandra
Īxiptla Tlanēxtīlli: Image 1-5: photographer: Diana Bilec, The Stalker, 2022.