Niemeyer II Icpalmahconi ītēchcopa Joana Santos Barbosa

Tlanāhuatīlli Niemeyer II Icpalmahconi ītēchcopa Joana Santos Barbosa cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Cozticteocuitlatl īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCaltlapechtli· 2022

Niemeyer II Icpalmahconi

īpal Joana Santos Barbosa

Tlanāhuatīlli: InsidherLand

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Caltlapechtli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #138699

Xicnēxtia axcān Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Niemeyer II Icpalmahconi

Joana Santos Barbosa oquichihuili, in yahualtontli iyollohtzin Niemeyer II icpalmahconi oquimomachtili Oscar Niemeyer ichan Canoas, modernista tlachihualiztli. Quipiya ce yectli chihualistli huan caltlachihualli tlamantili, in icpalmahconi amo miac huan yectli tlamantli. In tlaquemiliztli tequitl chicahuac mochihua, in tzoyoniliztli amo miac pampa monextiz in cuitlapan neneuhqui petlatl calli ihcuac mochitta ipan ilhuicac. Tlaquemitli ipan ce yancuic bouclé, in icpalmahconi mopachoa macehualli huan quimaca ce iceltica mahpiqui huan yectli mochihua in canauhcayotl ipan calli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

Niemeyer II Icpalmahconi ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in Niemeyer II Icpalmahconi quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Niemeyer II Icpalmahconi quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This is an armchair with a challenging design.
Having a strong narrative speaking behind its organic forms, the creative process was developed in a cohesive dialogue between the general rounded design and the focus on the correct location of the seams.
The symbolism is strong and so it’s the design itself. This armchair is almost minimal in its inner hidden complexity. Reduced to the essential, the design and the details create a graceful symbiosis between form and function.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions Height 86cm 33,86in Width 94cm 37,00in Depth 92cm 36,22in Seat Height 44cm 17,32in
Tōcāitl: roundarmchair, roundchair, chunkychair, modernchair, bouclechair
Tlachīhualiztli Māchiyōtl: Fully handcrafted in the city of Porto, located in the North of Portugal, this armchair is produced by local artisans. The use of traditional techniques is applied to create new contemporary designs.

Product details
Upholstery in InsidherLand Woollen fabric
Base in oak finished in matt varnish
Tlanāhuatīlli Nētēcahuilīztli: Challenges are part of the design process and a completely round armchair is no exception.
Inside, the wooden structure presents the necessary complexity for its clean exterior appearance. The construction process included several adjustments, both in the wooden structure and in the exact collation of the seams, to reach the final design, in which we find a total simplicity.
Another anticipated challenge was related to the stability of the chair. By reducing the contact of the base with the floor we were able to offer an enormous freedom to the design. However, several improvements have been defined for its stability.
This armchair is also available with a swivel option.
Tlatēmōliztli: Being influenced by the assumptions modernist architecture such as freedom of forms and volumetric organicity, the goal was to create a free design. The handmade production was a process of adjustments between the free sketches, the technical drawings and the real scale modeling. The construction was carried out in full-scale prototypes. While upholstery was improved, the structure had to be adapted to the new demands. Since its launch, this armchair has quickly been a commercial success.
Tēyōllālīliztli: The rounded armchair is named after the Brazilian Architect Oscar Niemeyer and its rounded forms are influenced by the House of Canoas designed in 1951.
The modern flat roof offers its flowing forms to the round seat. The backward movement of the curve that frames a large granite boulder is recreated by the location of the diagonal seams that flow all around the arms and seat of the armchair. Seen from above, it really recreates the exact movement into the comfortable seat.
Tēquitl Cāhuitl: It took about a year to create the armchair and was released in September 2019 at Maison and Objet in Paris.
Tēquitl Ōhuitl: Having a refined design and meticulous upholstery work, the Niemeyer II armchair is a best-seller among the designs created by Joana Santos Barbosa.
It is a luxurious armchair that catches the eye of the public, being both a minimal design, yet a statement piece.
Upholstered in a special woven bouclé, this armchair receives people with a gentle embrace and feels the most comfortable place in the room. It is also available with a swivel option.
Īxiptla Tlanēxtīlli: Video: InsidherLand
Images white background: InsidherLand
Image in a house ambience: Weco Gallery