Tlanāhuatīlli Max Icpalli ītēchcopa Arthur Casas cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2022

Max Icpalli

īpal Arthur Casas

Tlanāhuatīlli: +55 Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

17,601

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #136987

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Max Icpalli

In tlatemoliztli ipan ce ohui netlaliliztli tlatzacualli ipan amo miec tlahcuilolli oquitlalihqueh in hueyi tlanequiliztli ipan Max Icpalli. Ica chipahualiz tlachihualnemiliztli ihuan melahuac tlahcuilolli, inīn tlamamalli ce nanquiliztli ipan ce tetl ohuiliz ica nepapan tlamaniliztli. In tlanextli ihuan pitzactli xicalli fibra vidrio moquetzaya ipan nahui tepoztli tlapehpenaliztli, auh motlalia ipan tlalhuacpan (ica tlamahuizoli in quinanquilia chicuaztica ipan X), ica Sucupira cuahuitl in quiquimiloa icxitl. Iicpal ihuan icuexcochtli nemih ipan iixquich, tlaquimilolli ica Solana ehuatl cuicatl, ica miec tlatemoliztli ipan ergonomía inic mocaqui ce cualli colhuaz ihuan tzompatic tlachihualli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Max Icpalli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Max Icpalli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Max Icpalli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: With clean design and precise lines, this chair is a response to a complex structural challenge with an innovative combination of materials. It has a light and slender fiberglass shell, resting over only four metallic support joints, while locked at the base, with certified wood covering the feet. Its seat and backrest are part of the same volume, covered in natural leather, with ergonomic curvature and compact visuals.
Huēyiliztli īhuān Tlacualtepēhualli: 450 mm x 640 mm x 770 mm
Sucupira wood is certified with the Forest Stewardship Council (FSC), which guarantees high productivity in balance with nature and sustainable management of raw materials.
Solana leather comes from an industry with rigorous methods to trace and guarantee the origin from the analysis of satellite images - avoiding contributing to the Amazon deforestation.
The piece is certified by SENAI, which is validated by INMETRO (the institute that inspects products sold in Brazil).
Tōcāitl: Chair, Fiberglass, Brazilian wood, Aluminum, Leather, Brazilian design, Sculptural design
Tlachīhualiztli Māchiyōtl: Several tests were carried out to support the thin fiberglass shell and achieve the ideal curvature and weight. For the structure, aluminum was chosen, as this metal was a lighter option among the materials tested - a steel chair would be much heavier. Developed by a Brazilian brand that bets on raw materials and national designers, the chair meets the purpose of development.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was to synthesize such complexity in a few lines. Many studies were necessary to conceive a light, slender, minimalist chair with innovative materials and robust structure.
Tlatēmōliztli: The chair needed to achieve the ideal curvature and weight. Therefore, many molds were elaborated until the ideal volumetry of the fiberglass shell was found. Meanwhile, a robust but light structure was needed to support the delicate shape - and aluminum was the most appropriate material.
Tēyōllālīliztli: The search for a complexity synthesized in a few lines was the main inspiration for this piece. Its backrest and seat compose the same surface; the shell is sustained by four vertical supports, of different heights, and punctually connected. These, in turn, are connected at the basis by axes that cross each other in an X shape. To make this design viable, there was an intense study for the definition of materialities.
Tēquitl Cāhuitl: The Max Chair was presented at the launch of the mais55 Design brand in Sao Paulo in June 2020.
Tēquitl Ōhuitl: Even though it is a slender structure, the materials choices guarantees strength - both fiberglass and aluminum. Supports up to 160 kg on the seat (on the edge) and 80 kg on the back, without deformation. The natural leather, which covers the shell, amplifies the durability of the product.
Calpolli Tlācah: Lead Designer: Arthur Casas
Īxiptla Tlanēxtīlli: #1 Photographer Peu Campos - São Paulo 2020
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