Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan ītēchcopa Chun-Yu Chang

Tlanāhuatīlli Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan ītēchcopa Chun-Yu Chang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2022

Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan

īpal Chun-Yu Chang

Tlanāhuatīlli: Wu-Su Interior Design

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

14,990

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #136445

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan

Jian Sushi ce japones tlacualoyan tlen mochihchiuh ijtic, otzonquiz Taiwan ipan xihuitl 2021. Inon tlacoyan tlen quipia 135 metros cuadrados quinamiqui ce tlacualoyan, ce VIP calli, ce itamae tlaixtlapaltentli, ce pantry, ce tlacualchihualoyan, ce nemapaquiloyan ihuan ce axixcalli. Tliltic ihuan nextic tlapalli cepanotimani in ijtic calli, in campa concreto tlacalaquilli, yakisugi cuahuitl ihuan tepoztli tlen tlaxamanqui quichihuah ce yolic ihuan tlamachtic tlaneltiliztli. In tlahuilli motlalia inahuac in tlachihchihualiztin ihuan in tlacualli. Tlacaquiliztli tepatiloni tlamantli tlacuepa in mocaquiliztli. Inin tlachihchihualiztli quinextia in tlatquihuah itlachihchihual nechicoliztli inehuan in tlacualli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Jian Sushi Tlachihchihualiztli Ijtic Tlacualoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: When one arrives at the dining area, the theme of the space comes clear suddenly. The black-grey leading tonal emits a steady vibe and highlights the directions of the lightings, which are all pointed towards various art pieces and cuisines. These effects arent all built up through visual experiences but are also created by hearing senses. Specially set up numerous absorptive materials to avoid sounds being spread out or diffracted. Art decorations are placed behind the itamae as symbols of the beautiful creatures that swim along with the movements and sounds of the sea.
Huēyiliztli īhuān Tlacualtepēhualli: The 135-square-meter space (around 40 pings) is equipped with a dining area, a VIP room, an itamae, a pantry, a kitchen, a hand-washing area, and a bathroom.
Tōcāitl: Japanese restaurant, craftsman spirit, modern Japanese aesthetic, Japanese style, artistic restaurants.
Tlachīhualiztli Māchiyōtl: Architectural concrete (symbolizing the client insist on using natural ingredients without being processed)
Yakisugi bans (Japanese traditional building material)
Rusted ironware (natural processing methods are used to deal with the rustiness instead of using organic protection coats)
Non-formaldehyde and non-VOC cement paints
Metal-imitating tiles
Absorptive materials (prevent sounds from being spread out or diffracted)
Tlanāhuatīlli Nētēcahuilīztli: Vision wise, how to create a personal and steady spatial feeling within an open-end space. Solution: Representative building materials and lighting are set up in the long hallway of the entrance. The open-end space used black and grey colors as divisions while lightings are pointed towards each private space direction. Sound-wise, The echoing sounds are prevented by setting up absorptive materials. To create rough yet textured architectural concrete that embodies the main concept of the space, several experiments have progressed to achieve the perfect balance between the concrete and the cement.
Tlatēmōliztli: The overall is decorated with blacks and greys, while dark yakisugi bans, rough architectural concrete, and rust oxidated ironware are used to create a simple and peaceful spatial feeling. While equipped with a consistent visual experience, the client collectibles are used as the main decorations of the space. Less is more would be the most representative concept for this project; overmuch elements are eliminated to highlight the main roles, cuisines and art strongly.
Tēyōllālīliztli: This project is a Japanese restaurant, and its owner is a professional craftsman who loves to collect antiques and art pieces. Hence, the designer focused on creating a space that can perfectly combine artwork with cuisines while delivering the essence of the Japanese spirit in a modern and aesthetic way.
Tēquitl Cāhuitl: The project finished in September 2021 in Taiwan.
Tēquitl Ōhuitl: To the client a neat operational counter is necessary to give convenience when checking out. Hence, an itamae area in line with ergonomics and the traffic flow is specially constructed, embodying the essence of the client traditional Japanese craftsman spirit.
As for customers, a push door is set up at the VIP area to increase privacy; the precise lighting arrangements have also given guidance and directions towards the art pieces and cuisines.
Calpolli Tlācah: Wu-Su Interior Design, Chun-Yu Chang
Īxiptla Tlanēxtīlli: Wu-Su Interior Design