ZENustas Tlatzonaloyan Tzontli ītēchcopa Lorena Antea Caruana and Naoki Watanabe

Tlanāhuatīlli ZENustas Tlatzonaloyan Tzontli ītēchcopa Lorena Antea Caruana and Naoki Watanabe cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Tepoztli īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCallitic· 2022

ZENustas Tlatzonaloyan Tzontli

īpal Lorena Antea Caruana and Naoki Watanabe

Tlanāhuatīlli: Hi-Dea

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Callitic Tlamantli

11,815

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #135762

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa ZENustas Tlatzonaloyan Tzontli

ZENustas se tlatzonaloyan tzontli in cah Yaizu, itech itlatzintlan Fuji Tepetl in Japan. In 80 metro cuadrado ihtic mochihua ika ome tlamantli: MDF ika tlilehcapan cuahuitl tlachihchihualli ihuan iztac amatlacuiloli huel maltilo, motlapoa ika se tlamelahuac tlapatlaco ipan mesa inelhuayo. Se cuahuitlapechtli ika tlahuilli ihtic mopohua ika polycarbonate quihtoca xihuitl ihuan quimaca se yancuic neltoquiliztli itech in huehcauh tlaxcalli amatl Japan tlacenpanoliztli. In tepamitl no cualli quichihua tlahuilli in ma ahci in tlacah tlen mocehuia ixpan tezcatl. Tepamimeh amo motepehua ika tzocatl tezcatl motlapaloa in miec tlapohualli campa mochihua tequitl ihuan quiyacana in tlacah quenin nemi.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

ZENustas Tlatzonaloyan Tzontli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in ZENustas Tlatzonaloyan Tzontli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. ZENustas Tlatzonaloyan Tzontli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Yaizu is a town located near Mount Fuji in Japan. Here, the Natural space bursts into the Urban one defining highly suggestive scenarios.
Similarly, in the Beauty Salon, Nature is brought into the space adding an iconic touch to the interiors. The backlit feature wall in polycarbonate is a contemporary interpretation of the traditional Japanese rice paper facades. This wall, hosting dimensional plants, is also a tribute to the traditional Japanese painting, setting a bold contrast between figure and background.
Huēyiliztli īhuān Tlacualtepēhualli: The 80 square meters space is mainly composed of two materials: MDF with a Dark wood finish and White washable wallpaper. By defining a horizontal datum line at the height of the tables, the two materials separate the lower from the upper part of the space providing a simple and yet contemporary look to the space. LED lighting used in the store increases efficiency while reducing the costs and the dimmable lights support the energy saving by interacting with the daylight.
Tōcāitl: japanese interiors, japalian, zen-ustas, hi-dea interiors, italian japanese design, japan hair salon
Tlachīhualiztli Māchiyōtl: The Hair Salon reflects a simple shape language where only a few materials compose the space, reaching the essential.
The construction processes have been reduced by using standardized furniture and repeated simple bespoke elements in natural materials, while the whole renovation has been completed in 7 days.
The wall with backlit panels in polycarbonate is the standing out feature element, the more expressive and articulated-looking component of the space. This wall aims to improve the light exposure to the customers seating in front of the mirror, defining intense and diffuse lighting.
Tlanāhuatīlli Nētēcahuilīztli: A challenging point of the design has been understanding the relevant architectural elements of the Japanese tradition and translate them into a space with a contemporary look and feel and destination. The use of the oriented short walls, coming from the Western tradition produces an almost circular customer flow, enriching the straightness of accesses and paths so typical of the Japanese tradition.
The rounded shape language, loaned by the Italian architectural tradition completes the straight-looking pure geometry typical of this area, while providing surprising touchpoints.
Tlatēmōliztli: Taking inspiration from the natural surroundings, the Beauty Salon aims to reflect on the idea of Threshold in Japanese traditional architecture: the space between outside and inside. In this space, the Threshold is represented by the feature wall with nature and backlit panels. Located to be visible from the outside, the feature wall invites the customers to access the space to explore the new functions.
Tēyōllālīliztli: ZENustas is a word composed by merging the Japanese word Zen, meaning All, with the Latin word Venustas, the word for Beauty. The space aims to celebrate various forms of beauty, from natural one, proper of the Zen culture, to human-made beauty. The inclusive space is composed of Eastern and Western Architectural languages that synergistically shape the Interiors shaping a vibrant but still relaxing space.
Tēquitl Cāhuitl: ZENustas Hair Salon is located in Yaizu, in proximity of the Mount Fuji in Japan. The project lasted 3 months while the construction phase lasted 7 days only.
Tēquitl Ōhuitl: ZENustas Hair Salon's design reflects a holistic approach.
The wooden floor texture orientation creates a more intuitive customer journey that, from the entrance, naturally leads the customer towards the hairdressing stations. The wooden floor texture settles with the direction of the freestanding vertical short walls, providing consistency to the space. These oriented walls serve different purposes: increasing the number of available stations by optimizing the use of the space and, through the oriented mirrors, providing customers with the possibility of looking at the surrounding without leaving their chairs.
Calpolli Tlācah: Lead Architect: Lorena Antea Caruana
Lead Local Architect: Naoki Watanabe
Īxiptla Tlanēxtīlli: Image #No.1: Lorena Antea Caruana (Photo credits / Architect)
Image #No.2: Lorena Antea Caruana (Photo credits / Architect)
Image #No.3: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)
Image #No.4: Lorena Antea Caruana (Photo credits / Architect)