Desert Desire Nacochtin ītēchcopa Yamile Salomon

Tlanāhuatīlli Desert Desire Nacochtin ītēchcopa Yamile Salomon cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Iztacteocuitlatl īpan Cozquitl Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCozquitl· 2022

Desert Desire Nacochtin

īpal Yamile Salomon

Tlanāhuatīlli: Joy Color Design

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Cozquitl Tlamantli

30,778

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #135344

Xiquitta tequitl Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Desert Desire Nacochtin

Cacah cequi tlamaniliztli quinezcuitiah inihqui tlamantli auh quitlatlauhtiah in tlachihualiztli itech tlacuilolizyotl. Ce in machiyomecayotl inecayotzitzin auh in tlanextilli yei tlapanaliztli mochihua, zan itech tlanexiloltin auh ichcayotl nechicololiztli. Ic ome in ahmo cualnecaliztli mochi maitl chihualli tlamantli. Inihqui tlapohualli inecayotin quimatih in melahuacayotl zan ahmo quipiayah. Mochi coltic auh tlanexillotl yocoxqui cah. Ahmo cualnecaltin zan cencah ce icel, iuhquin ipan cemanahuatl, auh quintemoa in neltiliztli ome tlalticpacyotzitzin – nohpaltin auh cocoameh – quinchihuah nepantla nemiliztli ipan ce nechicoliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Desert Desire Nacochtin ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Desert Desire Nacochtin ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Desert Desire Nacochtin quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: There are some characteristics that distinguish these pieces and highlight the influence of graphic design. The principles of logo design are incorporated into the jewelry, and the visual effect of three-dimensionality is achieved, only, through textures and thread patterns. The second is the imperfection of each handmade piece. These geometric shapes assume accuracy but do not have it. Each curve and texture are different. They are imperfectly unique, as in nature, and explore the peculiarity of two worlds – cacti and snakes –making them harmoniously coexist in a system.
Huēyiliztli īhuān Tlacualtepēhualli: Material: Silver Clay (999 Fine Silver)
Snakes- Drop length: 69.85 mm Width: 38 mm
Cactus- Drop length: 69.85 mm Widht: 31.75 mm
Tōcāitl: earrings, snakes, cactus, silver
Tlachīhualiztli Māchiyōtl: The prototype of each piece was made in cardboard, testing sizes and proportions until reaching the final dimensions. The pieces are made in Silver Clay with a purity of 999. Each piece is cut by an oversized template, as the metal clay in its final process reduces the size by approximately 10-15%. Once the shapes are cut and the textures are drawn, the metal clay is dried and torch firing. The pieces are polished manually and individually to finally add the details in the red thread.
Tlanāhuatīlli Nētēcahuilīztli: I was facing for the first time work with silver, which implied, besides the manual work on the new material, designing specifically for it and its requirements. The biggest challenge in the design was to bring these natural elements to the two-dimensional and maintain their volume, textures, and shapes at a visual level, and make both designs work well separately and together. The other challenge was the packaging design, which I designed specifically for these pieces, this had to be visually a preview of the pieces it contained, so it had to have the same bi-dimensional principles, the mix of textures, the volumetry, and the manual work, each envelope is folded and sewn by hand.
Tlatēmōliztli: Nature is imperfect and beautiful, unique in each of its elements, and it was this principle that inspired the silver handwork. Each piece is imperfectly unique. And just as in nature, finding the peculiarity of both worlds and making them harmoniously coexist, was the idea for the designs. Imperfect as our nature and unique as our being.
Tēyōllālīliztli: These were the first pieces I would make and design in metal and it was from this situation that the idea was born. If I faced new challenges, the 1st design had to symbolize them. The snakes as a symbol of change, adaptation and skill, elegance, and mysticism. The cactus came from the association of the theme and concepts, adaptation to extreme situations, inner strength, and persistence. Two elements of nature as a statement.
Tēquitl Cāhuitl: Litter Havana, Miami, September 2021 First ideas and drawings emerged, finalizing the production of the pieces and packaging in November 2021, to be presented in the Dec/Feb 2022 season at Flying Solo, NYC.
Tēquitl Ōhuitl: Two different elements - snake and cactus - are two earring designs that, when combined, create a new possibility that is just as authentic and valid.
Calpolli Tlācah: Yamile Salomon
Īxiptla Tlanēxtīlli: Image #1: Photographer Yamile Salomon, Desert Desire Silver Collection, 2022
Image #2: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #3: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #4: Photographer Osmany Torres, Desert Desire Silver Collection, 2021
Image #5: Photographer Yamile Salomon, Packaging Desert Desire Silver Collection, 2021