Xicpanahuī campa tlahtōlli
Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli ītēchcopa Takuji Kamio

Tlanāhuatīlli Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli ītēchcopa Takuji Kamio cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.


BronseCallitic· 2022

Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli

īpal Takuji Kamio

Tlanāhuatīlli: Miyoshi Corporaiton

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

10,020

Tlapalli

Tlanēxtilistli

Ītechcopa Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli

Ching Ming Kyoto in calihtic tlacualoyan chinehcatl, oncan mani ce ohtli-caltepiton calli in Kyoto, Japan altepetl. In tlalmantli quipiya 110 metros cuadrados. In tlanahuatilli oquitzacu in ilhuicatitech, yehica in tlahuilli omopilo ihuan omochiuh quen toltecayotl. In tlahuiltin tlamelahualtin omochiuhqueh ihcuac eyi icxitlan neneuhcayotl ihuan omocetlaliqueh ce ipan occe inic quiyahualo in tlein motlaliaya tlacah. In ilhuicatitech otlapalantiloc tliltic inic quinextia in tlahuiltin tlamelahualtin ihuan tlahuiltin oyoltic in patlantinemih. In tepamitl otlapachiuhqueh ica tlacuiloli ica aceite ihuan quinextia in huehue tlahtolli chinehcatl, mocetlalia ihuan neneuhcayotl ihuan tlalmantli tetl tlein quipiya ixiptlayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Ching Ming Kyoto Tlacualoyan Calihtic Yectlaliliztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
Kamio expressed the lightings as a big art by spreading them over the whole the shop area. Making the lightings in impressive line shapes, he tried to create a dramatic atmosphere. The line lights were formed in triangle shapes and connected with each other continuously to surround the shop seating areas.
Huēyiliztli īhuān Tlacualtepēhualli
Floor Area : 110 square meter
Tōcāitl
Geometric lighting, Chinese restaurant, Kyoto restaurant, Authentic design, Japanese Designer
Tlachīhualiztli Māchiyōtl
For many parts, Kamio applied artistic graphics with effective lighting systems. To emphasize the art feeling, he covered the walls with oil paintings, which are telling the some Chinese old stories, with the modern expressions, such as adding geometric patterns on the paintings.
Tlanāhuatīlli Nētēcahuilīztli
Perhaps the most difficult parts in this project was to deal with lighting combination. Because the team could not place the lighting equipments directly on the ceiling, they needed to hung all the equipment. Painting the ceiling in black, the team emphasized and focused more on the floating lightings consisted on line and ball shapes. To find the appropriate balance and locations of those different shape lighting was very sensitive work and one of most important aspects to create the whole space atmosphere.
Tlatēmōliztli
The team made and used 3D images and models to understand the visual effects. It was very helpful to figure out how the line lights can be seen in each seating area. Also, they researched and studied several Chinese stories and art paintings in libraries for the wall graphics.
Tēyōllālīliztli
Because the shop is located in a train station building and there were several regulations about ceilings, Kamio had to have some challenges to deal with lighting systems. Rather than using the normal ceiling lights, he understood and expressed the lights as art aspects.
Tēquitl Cāhuitl
From September 2018 to March 2019 in Kyoto, JAPAN
Tēquitl Ōhuitl
Because the team used a number of graphic expressions such as wall paintings, floor tiles, and lighting shapes, it was very important to understand how those expressions work together. They carefully fill up the drawings with the graphic patterns and shared those images with all staffs to have the common visions. For some parts, they printed out actual life size drawings and discussed about the effects.
Patentēmeh
Ichii Kamiodesign
Calpolli Tlācah
Takuji Kamio
Ray Keida
Īxiptla Tlanēxtīlli
Satoru Umetsu, nacasa and partneres

Tlacōhualli

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