National Gallery Athens Tlachiyalizcalli ītēchcopa Parmenidis Longuepee Mari Team

Tlanāhuatīlli National Gallery Athens Tlachiyalizcalli ītēchcopa Parmenidis Longuepee Mari Team cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Cozticteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

CozticteocuitlatlCallitic· 2022

National Gallery Athens Tlachiyalizcalli

īpal Parmenidis Longuepee Mari Team

Tlanāhuatīlli: National Gallery of Greece

Mahuizolli A' Design Award Cozticteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

28,692

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #129529

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa National Gallery Athens Tlachiyalizcalli

Ipan 1960 xihuitl yancuic calli Tlacencauhcayotl Tlachiyaloni Atenas, nextiloni calli quichiuhqueh quemeh nenemi ipan cenyohual tlalli. Itic tlachihualoni mochiuh quemeh nepantla cuauhtitlan tlahtolli ica amatl, ihuan iztac nextiloni calli ica xeloltic pilcac tlacpactli nochi nextiliztli tequipanoloni. Quipiyah ixcoyan ohtli, huehcapan italiztli ipan calli ihuan altepetl, nochi tlanextiliztli ihuan tlahuilli quemeh necoc tlahuilli, ihuan quimopixtiah tlachihualiztli ihuan techcayotl pampa quinextiah toltecayotl, tlalli maca iyollo neltoconi mocahualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Cozticteocuitlatl

National Gallery Athens Tlachiyalizcalli ca in quicuic in Mahuizolli A' Design Award Cozticteocuitlatl, huel mahuiztic tlamahuizoliztli tlen momaca in achtopa, huel cualli ihuan mahuiztic tlachihualli. In quicuicah Cozticteocuitlatl ca cenca yancuic, tlachiyani ihuan tlanextic tlachihualli in quinextia in tlamatiliztli ihuan toltecayotl. Ca quinequi in National Gallery Athens Tlachiyalizcalli quitlalizque yancuic tlamantli ihuan quimacazque tlazohtli. Ni dizayno in quicuic Cozticteocuitlatl ca mahuiztic tlamantli in quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. National Gallery Athens Tlachiyalizcalli quiyolchicahua ihuan quipaquiltia in tlacah.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Interior design, museography of the accessible spaces of the visitors:
Permanent exhibition areas, with large exhibition panels and suspended ceilings function as lighting mechanisms. Areas for alternating exhibitions, with suspended ceilings to support panels, lighting, projectors. Entrance area and circulation junctions covered with wooden panels for orientation and division of space.
Excerpts from the city are visible in a two-way relationship between the work of art and the city.
Huēyiliztli īhuān Tlacualtepēhualli: Total area accessible of the visitors 8.500 sm, distributed over 6 floors.
Tōcāitl: museography, interior space, gaze, minimalism
Tlachīhualiztli Māchiyōtl: The materials in the exhibition and entrance areas are mainly metallic frames covered with panels of gypsum or wood, for the walls, or with Stretched Ceiling translucent diffusor films. The materials are subdued to highlight the works of art: wood without strong veins, matte marble on the floor, grey coloured exhibition walls.
Tlanāhuatīlli Nētēcahuilīztli: The hardest part was the coordination of the large number of the constructors and engineers of the building and the museography, of the supervisors of the Ministry of Culture (as we are talking about the National Gallery), of the curators and conservators of the Gallery, of the consultants of the sponsors.
Tlatēmōliztli: Our team has a long experience of over 50 similar studies and constructions, on art exhibitions. In the specific project, we combined the given structure of the building with the museology study of the National Gallery and with the free flow of the visitor of the exhibition, checking the results through the navigation in detailed 3d maquettes.
Tēyōllālīliztli: The design of a permanent and alternating exhibition of the Greek art of 19-20th c., with material and geometric spatial indexes for the gaze that give the sense of free choice to the movement of the visitors (panels facing the incoming visitor permitting the maximum depth of the field of view), in a continuous open-air feeling due to the general indirect lighting that follows the incoming view of the excerpts of the city. Minimalism and materials that are subdued to highlight the works of art.
Tēquitl Cāhuitl: The study of the project started in 2017 and finished in 2020 in Athens. The construction started in 2020 and finished in 2021.
Tēquitl Ōhuitl: The visitor can have information general or specific for the art works in each exhibition room, or for the projects of the museum, or for the orientation in the building by 60 interactive screens placed in the entrance and the circulation knots.
Calpolli Tlācah: architect: George Parmenidis
architect: Christine Longuepee
architect: Ifigenia Mari
Īxiptla Tlanēxtīlli: All photos own to the team.