Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli ītēchcopa Yu-Fan Kao and Wei-Hua Lin

Tlanāhuatīlli Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli ītēchcopa Yu-Fan Kao and Wei-Hua Lin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2022

Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli

īpal Yu-Fan Kao and Wei-Hua Lin

Tlanāhuatīlli: Drawin Design Studio

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

15,445

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #128146

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli

Yamaki Zushi ika se Japon kaltlakualoyan tlen ijtik onka ipan Taiwan. In ixtlan mochijchiua ika tepoztli tlaixtemantli tlen neneuki keme Japon kuauitl weatherboards, kimaka se chamauak iuan uejkauitl tlachialoni. Ijtik, se yayauik grís Karesensui tlaltepaktli, se michapan iuan se atrium kiualkuij tonalmitl iuan tlakayotl ipan in kaltlanextli. Ome tlakualoyan mochijchiua: se tlapoutli counter ika majtlaktli uan ome tlaseualolli inauak in tlakualchiualoyan, iuan tlaseualtin kalpetlaktli. Cipres, teak, amo tlapaltik kuauitl, tetl-neneuki tlachijchiualoni iuan Baizou, se tlachijchiualoni tlen moyankuiliaya ika tenextontli tliuitl, kikaxania in atl iuan in tlakualajuiakayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Yamaki Zushi Primary Function: Kaltlakualoyan Ijtik Tlachijchiualiztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: First, the restaurant exterior is made of hardware in the shapes of weatherboard inspired by Japanese wooden weatherboards; the vintage-like facade appearance has created a sense of roughness through the added layers. Old materials are reused by continuing the original red brickwork technique from the former restaurant to this new space; yet, wooden bricks are applied instead of red bricks and have inherited the collage characteristics of the original design. The red brickwork and weatherboard designs have transferred the imagery and atmosphere of the former shop while adding a sense of Japanese.
Huēyiliztli īhuān Tlacualtepēhualli: The interior is built on the core of (the co-existence of men and nature). It has outlined the sense of (rough rustic) through the Karesenzui-like cement walls, shale-like materials, fish pond, tree sceneries, and atrium. At the same time, many wooden materials are applied for a spatial extension, creating the maximum richness in low-convergence changes of materials. The interior is decorated with gratings and window flaring that connected the Karesenzui landscaping at the entrance, practicing the core of this spatial design concept.
Tōcāitl: Dining space, Japanese, eco-friendly materials, Karesenzui, cypress.
Tlachīhualiztli Māchiyōtl: Rusted iron, unpainted wood, cypress, teak, rock-imitated materials, Cadoni flooring, Baizou, rocks.
Baizou is a material recycled from volcano ashes in Japan. It could eliminate formaldehyde while decreasing moisture and smells.
Tlanāhuatīlli Nētēcahuilīztli: With the advantage of free deployment, how to combine the client requirements with spatial arrangements to create a smooth traffic flow for employees and customers was one of the critical issues of this design. Finally, the designer mixed the overall structure with materials and construction method; combining different materials in the same tone such as cypress, unpainted wood, and teak with Baizou allows the space to decompose residual smells of cooking effectively.
Tlatēmōliztli: The exterior is built in a rain staircase shape with rust-imitated materials; the use of vintage-like materials has intentionally given guests the first impression of roughness. After entering the interior, a dark-grey Karesenzui scenery shows up, and the dark-toned space has used an atrium method to draw daylight from outdoors. An open-end dining area and VIP boxes are introduced after the hallway; different materials in the same tone are applied to create a spatial extension. Unordered layers are created using cypress, unpainted woods, teak, rock-imitated materials, and Cadoni flooring.
Tēyōllālīliztli: Aesthetics and simplicity develop this design concept. The spatial is divided by rough and delicate methods inside out, allowing users to experience different atmospheres between the transformation of areas.
Tēquitl Cāhuitl: The project finished in May 2021 in Taiwan.
Tēquitl Ōhuitl: The overall spatial is mainly divided into two dining areas. One is the open-end counter area that contains twelve seats; these seats surround the cooking station. The square-shaped arrangement has echoed with the wooden diagonal planes on the disordered ceiling; also, the wooden tile screens have all together shown a peaceful atmosphere in the same tones. The other seating area is designed as private boxes; the steady, low-key wooden materials surround the seats with hardware screens.
Calpolli Tlācah: Yu-Fan Kao, Wei-Hua Lin
Īxiptla Tlanēxtīlli: DRAWIN DESIGN STUDIO