White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli ītēchcopa Po Chuan Kao

Tlanāhuatīlli White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli ītēchcopa Po Chuan Kao cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2022

White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli

īpal Po Chuan Kao

Tlanāhuatīlli: ACG Design International

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

12,295

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #127343

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli

Iztac Cuauhtla in calli ical ihtic tlachihualiztli, ical ce chantli momati 42 ping ipan Taichung. In tlanahuatilli quipia ce calaquiyan, ce tlacualchihualoyan, ce tlacualoyan, ce yeloyan ihuan ce amoxtlaliloyan, no ihuan ce huei cochiyan ihuan ce maltiloyan ihuan occe cochiyan ihuan occe maltiloyan. In tepamitl in ahmo monequi omotlalanque inic mocualtlaliz in achtopa tlanahuatilli tlein omocuecuelox ihuan miec omoxexeloh. In tetl temictli tliltic-iztac ipan calaquiyan quinamictia in tlacualchihualoyan ihuan in tlacualoyan. In tetl chipahuac, tezcatl, tlaxamancalli cristalxotl ihuan cuahuitl tlapalli quiilnamictiah in tetl, in ameyalli ihuan in xochitl, ihuan in tepoztlanextli teposcactli quimacah ce yamanqui tlanexyotl ahmo melahuac.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. White Forest Calnemitiliztli Ical Ihtic Tlachihualiztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: After calibrating the design elements exquisitely, the designer applied accurate and coordinated ratio transformations between abstracts and concretes and further delivered a visual depth of field through various methodical features. Meanwhile, the terrazzo base with shades of gray has drawn a parallel towards the odd rocks in forests. Concretes can be seen from the entryway marble facade, artworks of Taiwanese artists that were glaze fired and painted, and the three-stamen furnishing at the vista of the hallway.
Huēyiliztli īhuān Tlacualtepēhualli: The indoor area is around 42 ping; this design included the entryway, the kitchen, the dining room, the living room, and the study of the public space; and the private area including the master bedroom and bathroom, and the secondary bedroom and bathroom.
Tōcāitl: flowers blooming, relaxing, silence and pure, pink
Tlachīhualiztli Māchiyōtl: Special paint, marbles, jet glasses, hardware, aluminum light band, painted solid wood, mirrors, glass tiles, grindstones, stretch cloth.
Tlanāhuatīlli Nētēcahuilīztli: To combine all individual design elements into the room, the designer has applied metaphor methods to carefully hold onto the ratio of the part. For example, the light band that expands with areas strips that metaphor classic while visually outlining the sense of technology. Meanwhile, the grains and texture on materials symbolized the imagery of flowers, odd rocks, mountain springs, and others within the space. With the ratio arrangements of abstracts and concretes, a progressive depth of field is elaborated; all elements endued with characteristics, and are placed in each corner harmonically.
Tlatēmōliztli: To solve the distorted and multi-partitioned original spatial, the designer has remodified the surface. Abstract designing metaphors are used to elaborate the mountain springs, the odd rocks, the flowers, and other natural sights. The designer applied an open-ended method at the public area; a grindstone base is used as the go-between to create the entryway, the dining room, the kitchen, and other public areas. With the placing position of the desk and the sofa, a hidden border is created to divide the living room and the study.
Tēyōllālīliztli: The designer applied Language of Flowers as the central concept and combined it with the touches of that trip to create layers of emotions. The depth of the elements is composed between abstracts and concretes; the language of flowers is shaped with abstracts, comparing humans to stamens. Within the transformations of lights and shadows, different appearances and colors are shown through the changing of time: Eternity shall bloom in the bottom of one heart, a pure flower with beauty and infinity.
Tēquitl Cāhuitl: The project finished in Jun 2021 in Taichung.
Tēquitl Ōhuitl: Traffic flow arrangements often affect users emotions and the space practicality. The designer removed unnecessary walls to remodify the structure to solve the originally distorting and blocking spatial issue. Using the gray grindstones of the entryway as the go-between, the kitchen and the dining room are connected. At the same time, the open-end method is applied to weaken formal definitions towards space; overmuch decorations are ignored, while the sofa and the study desk are placed in the middle of the room, allowing children to move within the area freely without limitations.
Calpolli Tlācah: PO-CHUAN KAO
Īxiptla Tlanēxtīlli: ACG Design International