Xicpanahuī campa tlahtōlli
Architectural Traces Amoxtli ītēchcopa Stjepko Rosin

Tlanāhuatīlli Architectural Traces Amoxtli ītēchcopa Stjepko Rosin cē cencā mahuizzō tēmacēhualōni īpan huēyi 2022 Mahuizolli A' Design Award Tepoztli īpan Tepoztlacuilolli ihuan Tlanextilamoxtli Tlahtolamatl Tlachihchihualiztli Nēhuilīztli Tlamantli.


TepoztliTepoztlacuilolli· 2022

Architectural Traces Amoxtli

īpal Stjepko Rosin

Tlanāhuatīlli: Naklada Boskovic

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tepoztlacuilolli Tlamantli

12,336

Tlapalli

Tlanēxtilistli

Ītechcopa Architectural Traces Amoxtli

Architectural Traces ye amoxtli tlen quitlahtoltia in itequiuh se Dalmatian tlamanchiuhqui (arquitecto). In itzontecon amoxtli quipiya se tlanepantiliztli tlen ic mahuizoa quen se calcuachtli ica Roman tlatzacuiltin ihcuac tlachixtli huehcapa. Ihcuac tlachixtli tlatzintlan, motta ce nezcayotl tlen huali imachiyotl se tlen melahuac magnética resonancia tlacopinaliztli tlen itzimpil in tlamanchiuhqui. In tlachializtli ixcopinaltic quitemoa in ichtaca ihuan tetoneuhcayotl tlen mopolohtoc ihtic in calli tlen mahuizoa. In amoxtli quipiya 270 mm ica 270 mm ica 35 mm ihuan mochiuh ipan amatl offset ica tlaquiztiani tlacencuiliztli ihuan ahmo tlaquentli itech itenco. In itzontecon amoxtli ahci ce tlahuel maquiztoc ihcuac motequitiltia.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Architectural Traces Amoxtli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Architectural Traces Amoxtli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Architectural Traces Amoxtli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Huēyiliztli īhuān Tlacualtepēhualli
Dimensions are 270 mm x 270 mm x 35 mm
Tōcāitl
Book, Architecture, Spine, Traces, Dalmatian, Roman
Tlachīhualiztli Māchiyōtl
The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Tlanāhuatīlli Nētēcahuilīztli
The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
Tlatēmōliztli
Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Tēyōllālīliztli
The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Tēquitl Cāhuitl
The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Tēquitl Ōhuitl
The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Īxiptla Tlanēxtīlli
Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021

Tlacōhualli

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