Kyotology Malacalli ītēchcopa Naoto Doi and Koji Yamanaka

Tlanāhuatīlli Kyotology Malacalli ītēchcopa Naoto Doi and Koji Yamanaka cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Tepoztli īpan Tecialiliztli, Ahuiltiliztli, Nehnemiztli ihuan Tlanextiliztlanemiztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliTecialiliztli· 2021

Kyotology Malacalli

īpal Naoto Doi and Koji Yamanaka

Tlanāhuatīlli: Cosmos More

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Tecialiliztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #118089

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Kyotology Malacalli

In amoxtli "Cehualli Itlazohtenehualiz" Junichiro Tanizaki quichiuhqui ihuan tlatemoliztli ipan nenemini Kyoto mochiuh tetlantiliztli inin tequitl. Tanizaki oquitoh ca Niponcah otlazohtiayah cehualli achi tlanextli ipan mochi ye huecauh cahuitl, inon omohuiquili Nipon caltecpanaliztli yuhqui calanepanoliztli campa calixtic ihuan caltzintlan monepanoa. Tlatemoliztli oquinextih ca nenemini Kyoto huel quinequih itoltecayo ihuan ihuehuetlahtol, ica inon omopeuhalti "Cehuiliztli ihuan Tlamachiliztli" yuhqui tlaneltoquiliztli auh omochiuh malacalli campa malacameh moteilhuiah momachtiz, ixmatiz ihuan mocehuiz.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Kyotology Malacalli ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Kyotology Malacalli ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Kyotology Malacalli quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: As the number of hotel rooms had increased 400% since 2012, majorities are focused more on its capacity which did not have the local culture nor history. Therefore we felt an urge to create a place where tourists can experience traditional accommodation of Kyoto. The hotel initiates the local economic system by attracting curious users. Intertwining exterior and interior especially placing the inner garden in every room makes this brand established.
Huēyiliztli īhuān Tlacualtepēhualli: Width 24053mm x Depth 10090mm
Site area: 295.04sqm
Total floor space: 485.11sqm
Tōcāitl: Kyoto, garden, Shadow, architecture, heritage, local economy
Tlachīhualiztli Māchiyōtl: Vertical lines that are created by standing seam roofs emphasize changing shadows during the day. High edge roof end is a symbol of Sukiyazukuri style which is a common style for a building exclusively used for a Japanese tea ceremony. We surveyed neighbors’ window levels to avoid direct eye contact between users and neighbors. By adjusting window placements from neighbors, users could feel secure and private while staying in the guest rooms.
Tlanāhuatīlli Nētēcahuilīztli: It is common for a government to set landscape regulations to maintain the historical view of the city, and Kyoto city also sets various and precise rules mainly for color of facade, height of the building and usage of the balcony/rooftop. Since Kyoto city added more rules to the regulations while we were planning, we were forced to be flexible and let go of some of the design details. Architectural regulation made it really difficult to place the inner garden; we had to think carefully about balancing between architectural structure, livable environment for plants in the garden, and comfort of the guests.
Tlatēmōliztli: First of all, our R&D team researched about the history of the site and Kyoto. The area around the site was located close to Zen temple, and it has been left out from urban development of the city. Volume of travellers in Kyoto, popular tourist attractions, travelling patterns and many more elements were researched. Secondly, we visited the site and the former owner. The owner used to live at the site with his family for generations in a classical Japanese style house with a well-maintained garden. As soon as we saw the original site, we knew that we had to keep the original vibes. Thirdly, the team visited local shops and restaurants to look for potential partnerships. Since the hotel is not equipped with a kitchen, it was necessary to provide food for hotel guests from nearby restaurants.
Tēyōllālīliztli: In the book "In Praise of Shadows" Tanizaki stated the conceptual base of Japanese architectural beauty lies in shadows. Japanese cherish shadows over the history of its cultural development, and we translate its concept into modern architecture. By intertwining exterior and interior, and garden and concrete, shadows began to shine. Another inspiration was the local people who were eager to reactivate the local economy by collaborating with the local designers, constructors, and shop owners.
Tēquitl Cāhuitl: The project started in January 2018 in Kyoto and Tokyo Japan.
Tēquitl Ōhuitl: As soon as the guest arrive, they go through Noren at the gate to enter the site before entering the building which used to mean that they are entring a commercial space. The guests walk through lobby/lounge area, then they proceed to the front desk to check in. After check in, they proceed to the corridor lightened up with dim traditional lantern shaped room signs.
Calpolli Tlācah: Naoto Doi - Cosmos More
Koji Yamanaka - GENETO Architects Office
Mitsuteru Nakada - GENETO Architects Office
Asako Yamashita - GENETO Architects Office
Īxiptla Tlanēxtīlli: Cosmos More