Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic ītēchcopa Huson

Tlanāhuatīlli Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic ītēchcopa Huson cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCallitic· 2021

Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic

īpal Huson

Tlanāhuatīlli: Beimu Home

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

11,250

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #116018

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic

Beimu ce yancuic tlanamacoyan ihtic tlen oncah Dongguan, China, ica 800 metros cuadrados. In tlachihualiztli quicaxania in tlanextiliztli tlanamactli huan quiixtilia in tlacaltilcalli iyollo, ic in temachtiani tlapiazque ipampa in ixnezcayotl in tlacaltilcalli. In ixco tlaxelolli ihtic tliltic huan iztac tlapotzalli ica xolopitl mecatl. Itlan tocaitl tlanamacoyan, ce iyoca coyoctli 3.3 metros cuadrados moxelohua, quichihua ce nepantla ittaliztli ihtic huan itzintlan. Tlapaltic huan tliltic quiixiptla ce huehueyac ohtli tlen quicehuilia in nehnemiliztli. Mesas huan icpalli tlen occequi ihueyac quimaca miac tlacaltilcalli ipan nemachtiloyan, cehuiloyan huan tlahtoloyan.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Beimu Tlacaltilcalli Yancuic Tlanamacoyan Ihtic quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Huēyiliztli īhuān Tlacualtepēhualli: The store is about 40M（L）*20M（W） and covers an area of 800 square meters.
Tōcāitl: Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Tlachīhualiztli Māchiyōtl: designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Tlanāhuatīlli Nētēcahuilīztli: Symbol and spirit communication of brand building
Tlatēmōliztli: the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Tēyōllālīliztli: Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Tēquitl Cāhuitl: The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Tēquitl Ōhuitl: How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Calpolli Tlācah: HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Īxiptla Tlanēxtīlli: Picture#0000：photographer Ouyang yun,2020
Picture#0001：photographer Ouyang yun,2020
Picture#0002：photographer Ouyang yun,2020
Picture#0003：photographer Ouyang yun,2020
Picture#0004：photographer Ouyang yun,2020