Tlanāhuatīlli Ike Calli ītēchcopa Hatsuo Morimoto cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Bronse īpan Calchihualiztli, Calmanaliztli ihuan Tlatecpanaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCalchihualiztli· 2021

Ike Calli

īpal Hatsuo Morimoto

Tlanāhuatīlli: moKA architectural design office

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Calchihualiztli Tlamantli

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Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #110168

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Ike Calli

Ike ye se calli yeyi ilhuicac tlamantli ihuan icpac calli, tlachichiuhtli itech Nagoya, Japan, in canin miyequintin tlacah nemih. In tepetlatl ihuan tepoztli tlachichiuhcayotl ipan tlalli catqui 365 metros cuadrados ihuan ipan tlapechtli catqui 602 metros cuadrados. In quiahuac tepamitl tlachichiuhtli ica cuahuitl-ixiptla tepetlatl, mochihua ica moteca ahuehuetl huapalli ipan tlachihchihualoni achto in tepetlatl motoyahua. Cuauhtlapouhcayotl tepozcalpixcayotl, tepusteixcopincayotl ihuan tetl tepantli tlaxelolli quitlamiah in quiahuac tlachichihualli. Yeyi tepitzin xochitepancalli quihuicah tlanextli amo melahuac, ehecatl ihuan xoxouhcayotl itech in calmecac. In tlacpac tlamantin motlallanqueh inic in tonatiuh tlanextli oc quiahxiltia in inhuan chanehqueh calli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Ike Calli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Ike Calli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Ike Calli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Huēyiliztli īhuān Tlacualtepēhualli: Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Tōcāitl: Architecture, House, Concrete, Curtain wall, Garden, Japanese
Tlachīhualiztli Māchiyōtl: As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Tlanāhuatīlli Nētēcahuilīztli: Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Tlatēmōliztli: Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Tēyōllālīliztli: The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Tēquitl Cāhuitl: This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Tēquitl Ōhuitl: This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.