Xicpanahuī campa tlahtōlli
Yearning For Art Chāntli Ītech Cualtlālīliztli ītēchcopa Yan Ru Chen

Tlanāhuatīlli Yearning For Art Chāntli Ītech Cualtlālīliztli ītēchcopa Yan Ru Chen cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Bronse īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.


BronseCallitic· 2021

Yearning For Art Chāntli Ītech Cualtlālīliztli

īpal Yan Ru Chen

Tlanāhuatīlli: Mu’s Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Callitic Tlamantli

7,870

Tlapalli

Tlanēxtilistli

Ītechcopa Yearning For Art Chāntli Ītech Cualtlālīliztli

Yearning For Art in Kaohsiung Āltepētl, Taiwan mochīuh chāntli ītech cualtlālīliztli. Īnepantla in calli quihuelnextia tliltic, iztac īhuān teōcuitlanextli tlapālli īnic mochīhua yōlcēuhqui īhuān yancuic tlahuīlli. In cāmpa nochtin motēittitiah huel patlāhuac īhuān cōyāhuac, quinepanoa cochiān-cualli, tlacuālōyān īhuān tlacualchīhualōyān-tlālmāitl; huēyi mesah ihuān miac icpalli motēca in tlacualōyān īnīc mochīhua tētēcolōhuah. Tehuilocaltapotzalli tepāntli quixeloa in cāmpa nochtin motēittitiah īhuān in cāmpa cēcēyaca cah, īhuān quimanahuia in ichtacayōtl. Yancuic tlapālli, xāltetl-tetl īxiptla, tepoztli-cuahuitl xāmitl, teōcuitlatepoztli tlapechtli īhuān cuauhtepāntli quitemaca tepāmitl cē pāpāxtic, ēyi-tlalnāmiquiztli chīhualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Yearning For Art Chāntli Ītech Cualtlālīliztli ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Yearning For Art Chāntli Ītech Cualtlālīliztli ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Yearning For Art Chāntli Ītech Cualtlālīliztli quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa
The "black white gray" color system has the characteristics of evoking visual perception and also has the effect of relieving stress. The design team combines the pure residential elements with "commercial space" to clearly point out the theme of the guest house. The space lays out the substrate in the pure colors through an artistic and pleasurable perspective. With stone surface, metal, rusted surface, wooden louvers and other material surfaces, the space has a rich visual layer. At the same time, it also changes the texture of the wall from a flat surface to a three-dimensional one.
Huēyiliztli īhuān Tlacualtepēhualli
This case is a 55-ping space, and the client often invites relatives and friends to come to the house as guests. The public area is open and spacious, connecting the living room, dining room, and kitchen island, creating a smooth and comfortable circulation, and setting up a long table with multiple seats in the dining room to show the hospitality. Besides, the use of glass sliding doors between the public and private areas not only brings a mysterious beauty into the space, but also allows the client to maintain personal privacy and security.
Tōcāitl
Modern, artistic, guest house, leisure, relaxation
Tlachīhualiztli Māchiyōtl
Special paint, marble-like tile, rust-copper tile sheet, titanium-plated sheet, wooden louvers. Art and feelings, comfort and taste are inextricably linked with life, and also have a deep resonation with the site of this project. The design team carefully interprets the causal relationship between space and people. In the phenomenon of low chromatic colors, the media, lines, light and shadow, etc., which are very visible, are consciously expressed through the diversity of the forms, linking the aesthetics and the life, thereby leading the resident to a spiritual environment.
Tlanāhuatīlli Nētēcahuilīztli
The male client likes a clean and modern feeling, and the female client yearns for a gentle and elegant life, and made a disagreement during the first design phase. Through communication with the design team, integrating the needs of the two, from opposition to harmony and balance, propose the most appropriate design plan. In addition, this project uses many large-scale thin-plate tiles, which have certain difficulties in the transportation and implementation process. Through many attempts and adjustments, this problem has been successfully solved.
Tlatēmōliztli
The design team then used the core concepts of "art" and "travel" to launch a diverse dialogue between aesthetics and leisure. The entrance is surrounded by iron and glass materials, creating a clear and ambiguous hidden boundary and shaping a unique space area. The main wall of the living room is paved with imitation marble and thin bricks, and the detailed texture is reflected in the bright surface, and the shape a restrained and soft configuration. The elegant gray cabinet at the back of the dining area is complemented by dense dividing lines and geometric hollow design, which expresses the goal of quality of life.
Tēyōllālīliztli
For the design team, space and site region have some kind of "metaphysical" connection, so with the soft intervention of "art", through the fusion of spatial narrative, the urban context is extended from the inside out to the state of "daily life aesthetics". In this project, simple and clear low chromatic color is used to create a very modern spatial context. At the same time, with the unique texture of materials and the black and white shades, the visual freedom, from artistic paintings to space scenes.
Tēquitl Cāhuitl
The project finished in January 2020 in Kaohsiung City, Taiwan.
Tēquitl Ōhuitl
There are crossing beams in the public area. The design team use titanium-plated metal to cover the separation between the living room and the dining room, and frame the exquisite interior view. In addition, the use of black and white stacked ceiling layers and concise shape echoes the overall color system, bringing a longitudinal visual extension.
Calpolli Tlācah
MU’S DESIGN
Īxiptla Tlanēxtīlli
MU’S DESIGN

Tlacōhualli

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Xictēmoa tlanāhuatīlli, tēquitl īhuān tlanāhuatīlli ītēchcopa totlanōnōtzalcāhuān.

Cualli Tlanāhuatīlli Monequi Huēyi Tēixpantīliztli

A' Design Award cē cemānāhuac tēmacēhualli ītēchcopa cualli tlanāhuatīlli. Xicnēmili īpan A' Design Award ic ticpīāz tlanāhuatīlli tēixpantīliztli, mahuizzōtl, cuallōtl īhuān tēixpantīliztli ītēchcopa motēquitl. Xictlāli motēquitl ītēchcopa A' Design Award īhuān xicnēhuili ītēchcopa huēyi A' Design Prize.

Xictlāli