Alcyone Icpalli Icac ītēchcopa Tetsuo Shibata

Tlanāhuatīlli Alcyone Icpalli Icac ītēchcopa Tetsuo Shibata cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Tepoztli īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

TepoztliCaltlapechtli· 2020

Alcyone Icpalli Icac

īpal Tetsuo Shibata

Tlanāhuatīlli: Tetsuo Shibata

Mahuizolli A' Design Award Tepoztli Tēmacēhualōni īpan Caltlapechtli Tlamantli

15,961

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #100970

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Alcyone Icpalli Icac

Ipampa yehuatl, ce hueyi tequitilnamictiliz itech inin catca ma quinamictia tonacayo iyectiliz ihuan iceleyotl. Quinamictia tonacayo ic ixiptlatl ipampa cualli nelhuayotl, cuetlaxiliztli ihuan chicahuac nemiliztli in mochintin tlacah motlazohcamati quichihuas. Ica inin tlachihualoni, palehuia ica eyi amo ohuih neneuhcayomeh tlacah quichihuah ipan tequitilhuitl: motlalia ihuan icac, malina tonacayo ihuan pichihua cuexcochtli ipan tetzoncalli, ic cueponi pahtli ihuan hueyiya tequiyochihualiztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Tepoztli

Alcyone Icpalli Icac ca in quicuic in Mahuizolli A' Design Award Tepoztli, tlamahuizoliztli tlen momaca in cualli dizayno in quitlalia in tlen monequi ipan tequitl ihuan tlachihualiztli in quimaca in cualli tlachihualli. In quicuicah Tepoztli quinextia in hueyi tlamatiliztli, toltecayotl ihuan ihuelitiliztli intlachihuanime. Ca quinequi in Alcyone Icpalli Icac ca tlazohtli, mahuiztic, yancuic ihuan motequiuhtia. Ni dizayno in quicuic Tepoztli quihuelitia in tlamatiliztli ihuan quipia chicahualiztli tlen tepoztli. Alcyone Icpalli Icac quicualtia in nemiliztli ihuan quihuelitia in cemanahuac ica cualli.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: In designing this product, he was hoping to maintain a good posture, keep his legs moving and to be able to use it as a standing chair in his office and home. His challenge was to design it with a backrest that accommodates people of all height and that they can use as a regular chair at their existing work space. It was also important to him that the seat be raised and lowered and twisted sideways while being seated. This allows the users to exercise their lower body and hip muscle regularly.
Huēyiliztli īhuān Tlacualtepēhualli: Frame width at widest portion of base is 813 mm. Frame width at lower back is 432 mm. Frame depth at base from ankle section to back of base is 559 mm. Frame depth from ankle section to back of push bar is 483 mm. Height of frame is 1067 mm. Width of seat is 508 mm. Width of backrest at its widest is 343 mm. Height from bottom of seat to top of backrest is 584 mm. Lowest variable seat height at center of seat is 584 mm. Highest variable seat height at center of seat is 864 mm.
Tōcāitl: sit, stand, bend, twist, stretch
Tlachīhualiztli Māchiyōtl: Because the seat of this product is in somewhat of an upright position, the challenge was to design the frame to support it and to make it height adjustable. The idea of using a twisting metal frame came to me gradually after I experimented with the bent basswood and found it difficult to bend without compromising its structural integrity. The sinuous curve of the metal base frame came out of the need to have enough space for a person to sit and stand and to hold the seat.
Tlanāhuatīlli Nētēcahuilīztli: The hardest part of the design process was developing a mechanism that would allow the seat to move up and down for height adjustment. I did many detailed sketches showing the weight transfer path from the seat to flexible prongs to steel cable to conduits and to the curving metal frame. A three inch scale model I built was extremely useful in designing the details of this mechanism as well as the shape of the metal frame itself and in incorporating them both functionally and aesthetically.
Tlatēmōliztli: One important goal in coming up with the shape of this project was to simulate the quality and natural form of the human body as much as possible and to use the seat’s vertical and lateral movement as well as its performance to address some of the physical problems we all have while working at a desk. Much of my research involved talking to physical therapists, reading newspaper articles on health and science and books on both metals and plastics, and visiting local metal fabrication shops.
Tēyōllālīliztli: Inspiration for this project comes directly from my own experience of having worked in an office for many years and the adverse effect that had on my health and body. It is clinically proven that sitting for a long period of time without moving can lead to many medical ailments such as round back, peripheral edema, and swayback. I wanted to design a new type of chair that people could use in the office and the home that would allow them to keep their bodies moving while working at their desks.
Tēquitl Cāhuitl: I have worked at nights and on weekends on the design, a scale model, and a full-scale mock-up of this project since August 2018 in Baltimore, Maryland, finishing it in October 2019. Computer rendering of this project was started in late October 2019 and finished in late January 2020 in Baltimore.
Tēquitl Ōhuitl: The main advantage of this product is that it can be used both as a standing chair by raising the seat and as a conventional chair by lowering the seat. This is possible due to the use of high memory foam inside the removable cushion. The middle portion of the seat shell is rounded to give extra foam depth so that when a person lowers the seat to sit down, the compressed foam creates their own individualized seat. To move it, simply tilt it backward until castors engage and push forward.