Xie Yan Ihtic Tlacualoyan ītēchcopa Yuchi Zhang

Tlanāhuatīlli Xie Yan Ihtic Tlacualoyan ītēchcopa Yuchi Zhang cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Callitic Tlacauhtli ihuan Tlanextilizpan Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlCallitic· 2020

Xie Yan Ihtic Tlacualoyan

īpal Yuchi Zhang

Tlanāhuatīlli: Dowlin Organization

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Callitic Tlamantli

22,611

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #100015

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Xie Yan Ihtic Tlacualoyan

Xie Yan ce tlacualoyan ihtic tlachihchihualli ipampa Japon tecuiciyotl tlacualli. In 450 metros cuadrados tlatecpanaliztli motecpana ken ce tecuicihtli inechicahualiz. Ce achiton tlacpac tlalmantli quichihua in cacallotl, ihuan in robatayaki tlatlacualtiloyan mocalaquia ihtic. Ome tlatzintlan tlapachiuhtin quichihuah in ixtelolohuan, auh in hexágono tlalpanti tetl ihtic in calaquiloyan quichihuah in imahpiltin. Acrílico amatlapaltin tlapaltic ken pinaltic, iztac ihuan amo tlapaltic mopipilohuah ipan in tlapechtli ken pitzactin yeitlanacazyoh, quinextiah in cerezo xochimeh ihuan quiixquetzah ce occe tecuicihtli tlacpac in tlalpantli. Ce tatami tlacualoyan ica ihcuiliuhqui tzacualtin quitemaca achi tlapouhtli ihuan ichtaca tlapachiuhtin.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Xie Yan Ihtic Tlacualoyan ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Xie Yan Ihtic Tlacualoyan ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Xie Yan Ihtic Tlacualoyan quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Using novel design ideas, profound aesthetic skills and unique material selection, the designer presents a catering design case close to space use, store name and diner's feelings. Its visual effect is unique and its spatial style is not restricted. It not only perfectly presents the theme of "Japanese crab cuisine", but also expands into a kind of Gourmet culture of the shop itself, expressing the business philosophy of the shopkeeper and the business value of IP itself.
Huēyiliztli īhuān Tlacualtepēhualli: The project covers a total of 450 square meters. The unique design idea is out of the pattern of the traditional catering design, creating a completely different Japanese catering brand image, making the shop's personality expression earn enough attention.
Tōcāitl: Interior, Restaurant, Commercial, Modern, Simple, Japanese Cultural Characteristics, Japanese Cuisine, Sincerity
Tlachīhualiztli Māchiyōtl: Compared with the gradual change from dark orange to light orange on the ceiling, the designer specially adjusts the color of the light acrylic sheet, blends the light pink into it, and designs it into a fine triangle, then intersperses the white and colorless into it. In this way, the flourishing acrylic films in the mid air are stacked like smoke and fog, and there is an artistic conception of cherry blossoms in full bloom.
Tlanāhuatīlli Nētēcahuilīztli: After building the space atmosphere and theme cornerstone together with floor tile, platform, bar and dining table on the ground, the designer begins to focus on the upper space of the building. The acrylic art device suspended from the ceiling echoes the crab on the ground, sketching the shape of another crab in the mid air, which is equivalent to a crab on the ground and a crab in the mid air. The space becomes more complete and three-dimensional because of this idea.
Tlatēmōliztli: In order to emphasize the pure Japanese flavor of the restaurant, the designer separately plans a tatami dining area at the innermost side, and the screen printed with big crab characters separates the area one by one. The semi open design ensures the privacy of the dining, and also allows people to enjoy the most pure Japanese dining experience: taking off shoes and staying on the couch, sitting cross legged.
Tēyōllālīliztli: The layout of the restaurant is in the shape of a crab. In the middle of the restaurant is a slightly raised platform, which is made up of the shell. The robatayaki bar is cleverly embedded in it, which becomes the pattern on the crab shell. The two card seating areas become the eyes. The floor at the entrance is made of hexagonal tiles, which becomes its claws. The scattered seats near the wall and the ground parquet make up the rest of the feet.
Tēquitl Cāhuitl: The project started in March 2019 in Kunming and finished in June 2019 in Kunming.
Tēquitl Ōhuitl: The design of the front door does not have too many redundant decorations, but the designer uses exquisite details to let customers feel the original intention and sincerity of the shop. The warm lighting and overall color are attracting people to push the door. The construction and presentation of all atmosphere are the best annotation of the word "sincerity".
Patentēmeh: Copyrights belong to Yuchi Zhang, 2019.
Calpolli Tlācah: Yuchi Zhang
Beryl Lee
Īxiptla Tlanēxtīlli: Image #1: Photographer Frank Keng, Xie Yan, 2019.
Image #2: Photographer Frank Keng, Xie Yan, 2019.
Image #3: Photographer Frank Keng, Xie Yan, 2019.
Image #4: Photographer Frank Keng, Xie Yan, 2019.
Image #5: Photographer Frank Keng, Xie Yan, 2019.