Id-disinn Absinthe Disinn tal-Palk minn Vivian Lu huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Performattivi, Palk, Stil u Xenarju.

FiddaArti Performattivi· 2020

Absinthe Disinn tal-Palk

minn Vivian Lu

Klijent: Vivian Lu Design Studio Limited

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Arti Performattivi

79,284

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #98919

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Absinthe Disinn tal-Palk

Absinthe huwa disinn tal-palk maħluq għal dramm teatrali dwar il-fiżika, il-materja u l-psikoloġija. Is-sett huwa mibni madwar palk ovali li jirrappreżenta l-ħin u jista' wkoll jinqara bħala galassja jew ċiklu kontinwu. Pannelli riflettivi skuri mgħottija b'żebgħa mferrxa jissuġġerixxu univers vast u misterjuż. Viżwalizzatur tal-ħoss bil-laser magħmul apposta jippermetti li l-ħoss jidher, għaliex ir-raġġi tal-laser jiġu distorti mill-frekwenza tal-vuċijiet tal-atturi. Kull angolu tal-palk ġie ttestjat biex l-atturi setgħu jimxu, jiġru u jaqbżu bla periklu.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

Absinthe Disinn tal-Palk huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li Absinthe Disinn tal-Palk ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. Absinthe Disinn tal-Palk huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Vivian introduced the technology of laser light sound visualiser to magnify senses in the whole theatrical experiences, and allowed sound to be seen. She custom-made different laser light gadgets and experiments with different materials to find the best one to be used on stage. Every angle of the middle circular stage was carefully designed and the inclusion of technology brought a whole new blend of artistic richness in theatre. The beauty of the design is the limitless interpretation of the set according to their understanding of the play. The oval stage represents time, but can be seen as the milky way, Möbius band etc.
Dimensjonijiet u Ippakkjar: Vivian experimented with different forms of custom-made sound laser visualiser to best utilise actors on stage
Tikketti: Scenography, Stage Design, merging physics and set design
Teknoloġija tal-Produzzjoni: The project required a lot of research and experimentation, especially experimenting with the laser light sound visualizer, making sure the visuals created from different sound frequencies went hand in hand with the general set design. A lot of prior research also had to be done on the subject matter or physics, black holes and relativity, to create a stage that portrayed elements of these subjects, to allow audiences to quickly connect and be immersed into the show as it was a play that discussed quite complex subjects. For the staging and material we chose dark reflective panels to create the effect of this vast yet mysterious universe, also covering it with splattered paint to symbolise the milky galaxy. This and stage received great feedback, and special mentions on review platforms highlighted and praised the stage design and effects, and how it truly immersed people into the story.
Sfida tad-Disinn: On the initial design part, there are a lot of discussions on how to tactic a complex play, where many deep subjects were discussed and visually portray it all in a manner that guided the audience into the topics and be immersed into the world. Technically during production the curvature of the oval shape had to be very exact, as we wanted to visually make it look really smooth when we detach it to different shapes. The kinds of wheels were also a very big technical challenge as the different points of attaching the wheels made a huge difference on the stage's mobility.
Riċerka: Every angle of the main stage was experimented with consideration of the feasibility on how actor’s move on set. We experimented with different inclination of the set and prior to the performance, we trained actors to walk, run and jump at different angles we have on the circular stage to avoid stage accidents. The whole stage was built with extensive technological difficulties and precision because we had to find the balance of designing it to achieve desired artistic visual but also take intensive examination that structurally it is strong enough withstand immense weight.
Ispirazzjoni: Absinthe was a project that has given Vivian a chance to explore potential visuals merging physics and scenography. It was a play that explored topics on physics, matter and psychology. She wanted to experiment with different ways to unearth a new power to enhance audiences sense in the whole theatrical experiences. Vivian wanted to find new ways to capture audience’s imagination and to see how to create different relationship with time.
Tul tal-Proġett: The show was first showcased in Beijing in 2019 then toured around in Shenzhen and Shanghai in 2020.
Fluss tal-Operazzjoni: Through the sound vibrations spoken from the actors, laser lights were distorted based on the frequency of spoken sound. The visuals that came out from the actors and actress voice varies drastically due to the pitch of their specific voice.. The actors rehearsed for months with the devices to create a specific imagery to go with the set design.
Membri tat-Tim: Stage Designer : Vivian Lu
Director : Johnny Tam