Kinetic Chinese Characters Tipografija Kinetika minn Li Xinlin

Id-disinn Kinetic Chinese Characters Tipografija Kinetika minn Li Xinlin huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn Ġenerattiv, Algoritmiku, Parametriku u Assistit mill-AI.

ĦadidĠenerattiv· 2020

Kinetic Chinese Characters Tipografija Kinetika

minn Li Xinlin

Klijent: Li Xinlin

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Ġenerattiv

24,467

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #96658

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Kinetic Chinese Characters Tipografija Kinetika

Kinetic Chinese Characters hija sensiela ta' sittax-il xogħol ta' tipografija kinetika bbażati fuq il-komponenti tal-karattri Ċiniżi. Kull xogħol għandu suġġett differenti u huwa prodott purament permezz ta' programmazzjoni tal-kompjuter u algoritmi, bl-użu ta' Processing. Iż-żieda tat-teknoloġija ġenerattiva tagħmel il-linja ta' żmien tal-karattri, li darba kienet fissa, varjabbli u r-riżultati imprevedibbli. Kull xogħol huwa akkumpanjat minn saġġ qasir ta' apprezzament, filwaqt li ssegwi t-tradizzjoni Asjatika li tippreżenta l-poeżija u l-pittura flimkien. Is-sensiela turi kif id-disinn kinetiku jista' jiġi applikat għall-karattri Ċiniżi.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Kinetic Chinese Characters Tipografija Kinetika huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Kinetic Chinese Characters Tipografija Kinetika ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Kinetic Chinese Characters Tipografija Kinetika huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Dimensjonijiet u Ippakkjar: Media & Print matter
Tikketti: Kinetic , Typography , Generative , Chinese Characters
Teknoloġija tal-Produzzjoni: Processing and based on openprocessing.org
Sfida tad-Disinn: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Riċerka: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Ispirazzjoni: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Tul tal-Proġett: 2019, College of Fine Arts, Seoul National University.
Fluss tal-Operazzjoni: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Privattivi: LI XINLIN
Membri tat-Tim: LI XINLIN
Krediti tal-Immaġni: LI XINLIN