Id-disinn Voice Print Ktieb minn Isabelle Tan huwa rebbieħ stmat ħafna tal-prestiġjuż 2026 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Istampa u Midja Ppubblikata.

ĦadidStampa· 2026

Voice Print Ktieb

minn Isabelle Tan

Klijent: Isabelle Tan

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Stampa

5,946

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #178230

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Voice Print Ktieb

Voice Print huwa ktieb dwar in-nuqqas ta' fluwenza fid-diskors, l-interruzzjonijiet u l-irregolaritajiet li jseħħu meta n-nies jitkellmu. Il-ktieb juża partituri tipografiċi, mudelli viżwali li jimmappjaw id-diskors tul iż-żmien, biex juri li l-fluwenza teżisti fuq spettru u mhux bħala diviżjoni sempliċi f'żewġ stati. Il-partituri huma stampati fuq karta trasluċida b'trasparenza qawwija. Esejs ippreżentati bl-abjad fuq l-iswed, fuq karta lucida u opaka, jagħtu kuntest u jiggwidaw lill-qarrej. Il-ktieb ikejjel 9 b'12-il pulzier, l-istess daqs tal-partituri mużikali.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Voice Print Ktieb huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Voice Print Ktieb ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Voice Print Ktieb huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Voice Print is a book about disfluencies and the way we speak. It attempts to show the hidden complexities of fluent speech through typographic scores, showing that fluency exists on a spectrum rather than a simple binary. Alongside the scores are essays that provide context and guide the reader through the book. These essay spreads are white on black, and printed on glossy, opaque paper stock. It's design is intentionally rigid and mechanical, but still mimicking the fluidity of the scores.
Dimensjonijiet u Ippakkjar: Width 228.6mm x Depth 304.8mm x Height 15mm
Tikketti: typography, book design, experimental typography, graphic notation, editorial design
Teknoloġija tal-Produzzjoni: The book is 9x12 inches, same size as sheet music. Scores are printed on translucent paper with significant show-through, representing the fluidity of human speech. Essays are white on black and printed on glossy, opaque paper, to contrast the scores.
Sfida tad-Disinn: The hardest part was translating something as fluid and emotional as speech into a strict visual system. Finding the right balance between structure and freedom required constant testing. Socially, it confronted cultural biases surrounding stuttering; technically, it involved designing a typographic method capable of capturing temporal and tonal variations. This process expanded the role of design as a tool for empathy and linguistic awareness.
Riċerka: This design research explores speech fluency through visual notation. The goal was to reveal the structure behind imperfect speech. Using recorded interviews, speech was transcribed into typographic scores that map sound over time. Participants included people with varying speech patterns. The results show visual and rhythmic similarities between stuttering and melisma, reframing disfluency as expression, not error, impacting how we perceive voice and identity.
Ispirazzjoni: What is fluency? Is it the lack of stutters? Does it signify perfection? How do we show the hidden complexity behind fluent speech? When we mention fluency, thoughts of speaking smoothly often come to mind. Disfluencies have been viewed as undesirable due to cultural perceptions. What if our pauses and irregular flow of speech arent seen as undesirable?
Tul tal-Proġett: This project started in January 2023 NYC, and completed in July 2025 NYC.
Fluss tal-Operazzjoni: Voice Print turns speech into visual scores. Each page transcribes how we talk, pauses, hesitations, and rhythm, into patterns on a grid, inspired by the musical score. By following a few design rules, speech becomes something you can see. It helps us recognize that stuttering and melismatic singing share structure, showing that our disfluencies are not flaws but part of how we express ourselves.
Membri tat-Tim: Isabelle Tan