Geometry of Fiction Ċirku minn Nazanin Saranjampour and Mahdi SheykhRezaee

Id-disinn Geometry of Fiction Ċirku minn Nazanin Saranjampour and Mahdi SheykhRezaee huwa rebbieħ stmat ħafna tal-prestiġjuż 2022 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Ġojjellerija.

ĦadidĠojjellerija· 2022

Geometry of Fiction Ċirku

minn Nazanin Saranjampour and Mahdi SheykhRezaee

Klijent: Nazanin Saranjampour

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Ġojjellerija

15,094

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #139979

Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Geometry of Fiction Ċirku

Ġeometrija tal-Fantasija hija kollezzjoni ta' ġojjelli tal-fidda li tikkonsisti minn tliet ċrieket. Il-forom ġew ispirati mill-arkitettura tal-Ħammam storiku ta' Golshan f'Yazd, l-Iran. Intuża metodu sperimentali: forom primarji bħal kubi u ċilindri ġew ikkombinati f'softwer tridimensjonali mal-ġeometrija mreġġa lura tal-ħammam, li ġġenerat aktar minn 250 forma ġdida. Imbagħad intgħażlu ftit forom għaċ-ċrieket. Il-biċċiet ġew immudellati diġitalment, stampati bir-raża u mtefgħa fil-fidda. It-tliet ċrieket jistgħu jinlibsu bħala sett, bil-par jew waħedhom.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Geometry of Fiction Ċirku huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Geometry of Fiction Ċirku ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Geometry of Fiction Ċirku huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: There are three stages to this experimental design process. In the first phase of the method, some primary shapes such as cubes, cylinders, and other shapes were transformed in 3d software using Rhino. Second, the designer created the antithesis of the Golshan bathhouse's form; the mass space was reversed to empty using an experimental method.Finally, the three-dimensional collision of the primary forms with the reverse geometry of the Golshan bath resulted in the creation of more than 250 new shapes in the following stage. Finally, the designer chose a few of the best shapes to create rings by evaluating them. The use of 3D computer software has enabled the visualization of new forms that would not have been possible otherwise.
Dimensjonijiet u Ippakkjar: This silver jewelry set consists of three pieces of the ring. The pieces in this collection are 28, 20, and 2 grams in weight, respectively. These three rings can be worn as a set, in a double combination, or independently. These rings have been designed to be as ergonomic as possible, so there are no problems with the fingers when wearing them.
Tikketti: Jewelry, Experimental Design, Speculative Design, Golshan Bathhouse, Ring
Teknoloġija tal-Produzzjoni: The shape of the rings is very complex due to their delicate and precise angles, and conventional manual jewelry production methods are not suitable for their production. Therefore, this jewelry collection was first modeled using 3D modeling software and then printed from resin material. And then, they were made of silver metal by the micro fusion casting method.
Sfida tad-Disinn: The most critical design feature of this jewelrycollection is the aesthetic, which reflects the visual characteristics of the source of inspiration and has unpredictable forms due to its experimental design method. There are two significant obstacles to overcome when designing such a project: 1. Each piece's weight should be kept under control. 2. Take into account the ergonomics of the user's hands and fingers. Heavy forms were removed to optimize the result in design development and evaluation as forms inconsistent with hand anthropometry. Finally, the forms were lightened so that they could be easily worn.
Riċerka: Since old artifacts have always been a source of inspiration for designers, this jewelry collection was born out of research and study into the roots of Iraniandesign, which are found in Persian architecture, to create new Persian forms. Is it possible to be inspired by a monument without getting a repetitive and predictable result? That was the starting point for the design. This collection's design process is speculative and employs an experimental design method developed by the designer. Iranian design has essential characteristics such as balance, two-dimensional order, and many details; the researcher expected these characteristics to appear in a newer aesthetic and represent Persian thoughts, so ideationbegan, leading to the production of over 250 experimental forms of origin. They re-created the above-mentioned Iranian features in Persian design.
Ispirazzjoni: The historic Golshan Bathhouse in Yazd served as the project's primary source of inspiration. The Iranian architecture of the Golshan Bathouse is typical of Qajar-period Iran, and the structure's geometry demonstrates many aspects of Iranian art. This collection has created new ring forms due to formal alternatives to Golshan bathhouse geometry. Roofs, corridors, and pools have visual elements that can be seen in the shapes of the rings indirectly in the details of this collection's pieces.
Tul tal-Proġett: April 2021-November 2021 Tehran, IRAN
Fluss tal-Operazzjoni: Persian architecture is rich in meaningful concepts that can inspire a great deal of creativity when translated into modern language. Jewelry is the meeting point of art and design, and it can be used to convey a message in the same way that a medium can. This jewelry collection has been able to demonstrate the complexity of Iranian art. One of the most appealing aspects of this collection is that it can be viewed from various perspectives and represent a new form; it can also be worn from any angle without looking the same. This feature delights the user every time she wears it.
Membri tat-Tim: Mohammadmahdi Sheykh rezaee