Preludes Animazzjoni b'Midja Mħallta minn Matthew Rankin

Id-disinn Preludes Animazzjoni b'Midja Mħallta minn Matthew Rankin huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tal-Ħadid fil-Kategorija tal-Kompetizzjoni ta' Disinn ta' Films, Vidjos u Animazzjoni.

ĦadidFilm· 2020

Preludes Animazzjoni b'Midja Mħallta

minn Matthew Rankin

Klijent: Matthew Rankin

Rebbieħ tal-Premju A' Design Award tal-Ħadid fil-Kategorija ta' Film

13,030

Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #103476

Agħmel Donazzjoni Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar Preludes Animazzjoni b'Midja Mħallta

Preludes hija animazzjoni qasira b'midja mħallta bbażata fuq il-poema bl-istess isem ta' T.S. Eliot. Il-film idum minuta u tmien sekondi u jgemmed l-immaġini ta' Eliot ma' kompożizzjoni mużikali oriġinali. Ix-xeni huma marbuta permezz tat-tema u tal-ħoss aktar milli permezz ta' stil viżwali wieħed. Ix-xogħol jgħaqqad flimkien animazzjoni 2D u 3D, immudellata f'Cinema 4D, irrendered b'Redshift u kkompostjata f'After Effects. Veduti mill-ajru jinbidlu għal livell tat-triq, fejn il-figuri jgħaddu minn ħdejn xulxin wara skrins. L-animazzjoni tirrifletti fuq il-ħajja moderna permezz ta' test qadim.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Ħadid

Preludes Animazzjoni b'Midja Mħallta huwa rebbieħ tal-Premju A' Design Award tal-Ħadid, rikonoxximent prestiġjuż mogħti lil disinji tajbin li jissodisfaw ir-rekwiżiti professjonali u industrijali mistennija minn ħolqien imfassal tajjeb. Ir-rebbieħa tal-Ħadid juru l-ħila kbira, l-ispeċjalizzazzjoni għolja, il-fehim espert u l-kapaċità kreattiva tal-ħallieqa tagħhom. Huwa mistenni li Preludes Animazzjoni b'Midja Mħallta ikun ħolqien imqabbar ħafna, mammirat u maħbub li huwa prattiku u innovattiv. Dan id-disinn rebbieħ tal-Ħadid jintegra l-aħjar prattiki tal-industrija u għandu karatteristiċi tekniċi kompetenti marbuta mal-għarfien u t-talent. Preludes Animazzjoni b'Midja Mħallta huwa rispettat għall-eżattezza tiegħu u mfassal biex itejjeb il-kwalità tal-ħajja u jgħin jagħmel id-dinja post aħjar.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: Preludes is a mixed media collaborative animation based on a poem by T.S. Eliot. The process involved the poem being chosen by the producer, who then invited a musician to compose a one-minute piece which was handed off to me to provide to create visuals on both the the words of Eliot and the music.
Dimensjonijiet u Ippakkjar: Duration: 1-minute, 08-seconds
Tikketti: poetry, animation, motion graphics, 2D, 3D, after effects
Teknoloġija tal-Produzzjoni: Preludes utilizes both 2D and 3D animation all composited in After Effects. The scenes with 3D were done in Cinema 4D and rendered using Redshift. It also uses several After Effects plugins such as Video Copilot's Sabre, Rowbyte's Plexus, and Red Giant's Particular and Form.
Sfida tad-Disinn: The challenge became putting the many ways this manifests into only one-minute and matching those visuals to an already created musical composition. And that's how an aerial view helps to alienate us from the tracking signals on the street and we are suddenly shifted to street level view to see faceless people bumping into one another with screens blocking the vision.
Riċerka: For this project the research fairly straightforward. It started with a cursory reading of the poem, Preludes by T.S. Eliot, and listening to the soundtrack created by Angus Macrae. I listened to the audio repeatedly to let it sink into my memory and to help with visualizing general concepts. This was followed by seeking out deeper analysis of the poem so that I better understood the themes, ideas, and symbols. While I could certainly have skipped this step it was profoundly important as I went along and was searching for visual fragments to add to the density of the piece.
Ispirazzjoni: Preludes is based on T.S. Eliot's poem of the same name and a one-minute musical soundscape provided to me and composed by Angus Macrae. The whole project was organized by a group called Campfire Poetry that uses poetry as away to promote collaborations between musicians and animators.
Tul tal-Proġett: The project was started 20 December 2019 in New York City and completed in February 2020.
Fluss tal-Operazzjoni: I was immediately drawn into Eliot's non-narrative and slightly abstract form, even though he was describing a very defined and concrete world. I took that as an opportunity to create scenes that were thematically, but not necessarily aesthetically, connected. Instead, I chose to let Macra's soundtrack be the connective tissue weaving together Eliot’s view with my own as I explore how our modern world looks and feels in the context of Eliot’s ideas.
Membri tat-Tim: Director/Animator: Matthew Rankin
Producer: Max Rothman
Music/Sound: Angus Macrae