The Armor Kostum Teatrali minn Samantha Chijona Garcia and Vladimir Cuenca

Id-disinn The Armor Kostum Teatrali minn Samantha Chijona Garcia and Vladimir Cuenca huwa rebbieħ stmat ħafna tal-prestiġjuż 2020 Premju A' Design Award tal-Fidda fil-Kategorija tal-Kompetizzjoni ta' Disinn tal-Arti Performattivi, Palk, Stil u Xenarju.

FiddaArti Performattivi· 2020

The Armor Kostum Teatrali

minn Samantha Chijona Garcia and Vladimir Cuenca

Klijent: Jazz Martinez Gamboa

Rebbieħ tal-Premju A' Design Award tal-Fidda fil-Kategorija ta' Arti Performattivi

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Rebbieħ ta' Premju Ivverifikat

Ivverifika l-Istatus tal-Premju għal #102743

Żur is-Sit Ara fuq A' Design Award Stqarrija għall-Istampa Badge tal-Premju

Kuluri

Id-Disinn

Dwar The Armor Kostum Teatrali

L-Armatura hija kostum teatrali maħluq għall-karattru ta' Rikardu III fi produzzjoni teatrali ta' dramm ta' Shakespeare. Il-kostum huwa magħmul minn materjali riċiklati u mhux użati. Linji tal-metall huma msewwija fuq ġakketta tat-twill, filwaqt li għatjiet tal-ġilda li jkopru wieħed lill-ieħor jiffurmaw struttura separata magħquda permezz ta' ċineg u bokkoli tal-ġilda. Ingwanta tal-katina tal-metall tagħlaq il-kmiem, u kappell tal-bellus miksi bi strixxi tal-metall iservi bħala elmu. Is-sitt partijiet jistgħu jiżdiedu jew jitneħħew hekk kif il-karattru jinbidel matul id-dramm. Id-disinn jirrifletti kemm ir-re kif ukoll il-bniedem vulnerabbli li hemm fih.

Ir-Rikonoxximent

Dwar il-Premju A' Design Award tal-Fidda

The Armor Kostum Teatrali huwa rebbieħ tal-Premju A' Design Award tal-Fidda, rikonoxximent prestiġjuż straordinarjament mogħti lil disinji tal-ogħla livell, sbieħ u impressjonanti. Ir-rebbieħa tal-Fidda huma xogħlijiet brillanti ħafna u kreattivi ħafna li juru l-għarfien espert, it-talent u l-aċċuratezza tad-disinjaturi tagħhom. Huwa mistenni li The Armor Kostum Teatrali ikun xogħol mill-isbaħ, eżemplari, professjonali ħafna u innovattiv bil-fond. Dan id-disinn rebbieħ tal-Fidda huwa invenzjoni notevoli u mammirata li tikkontribwixxi biex jitwessgħu l-fruntieri tal-arti, ix-xjenza, id-disinn u t-teknoloġija. The Armor Kostum Teatrali huwa ħolqien li ħafna jinvidjawh, li jqajjem ix-xewqat, iġib sentimenti pożittivi u joħloq tgħaġġib u mistagħġib.

Wara d-Disinn

Kit għall-Istampa

Krediti, membri tat-tim u dettalji tekniċi pprovduti mid-disinjatur.

Proprjetajiet Uniċi: This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Dimensjonijiet u Ippakkjar: Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Tikketti: Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teknoloġija tal-Produzzjoni: The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Sfida tad-Disinn: The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Riċerka: My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Ispirazzjoni: Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Tul tal-Proġett: The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Fluss tal-Operazzjoni: The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Privattivi: Copyrights belong to Chijona, Samantha, 2018
Membri tat-Tim: Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Krediti tal-Immaġni: Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018