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The Armor Primary Function: Baju Teater dek Samantha Chijona Garcia and Vladimir Cuenca

The Armor Primary Function: Baju Teater dek Samantha Chijona Garcia and Vladimir Cuenca adolah pamenang nan sangaik tahormat dari A' Design Award Perak 2020 nan sangaik prestigius dalam Kategori Kompetisi Seni Pertunjukan.


PerakSeni Pertunjukan· 2020

The Armor Primary Function: Baju Teater

dek Samantha Chijona Garcia and Vladimir Cuenca

Klien: Jazz Martinez Gamboa

Pamenang A' Design Award Perak dalam Kategori Seni Pertunjukan

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Pamenang Pangharogaan Taverifikasi

Verifikasi Status Pangharogaan untuak #102743

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Tantang The Armor Primary Function: Baju Teater

The Armor adolah baju teater nan dibuek untuak tokoh Richard III dalam pagelaran drama karya Shakespeare. Baju ko dibuek dari bahan-bahan daur ulang jo bahan nan indak tapakai lai. Garih-garih logam dijaik ka jaket twill, samantaro pelindung kaki dari kulik nan batumpuak-tumpuak mambantuak struktur tasandiri nan disambuang jo tali kulik jo gasper. Saruang tangan chainmail manutuik langan baju, sarato topi baludu nan balapih jo lempengan logam bafungsi sabagai helm. Kaanam bagian ko dapek ditambah atau dilapehan katiko tokohnyo baubah salamo drama balangsuang. Desain ko manggambarkan rajo sakaligus manusia nan rapuah di dalam dirinyo.

Pangakuan

Tantang A' Design Award Perak

The Armor Primary Function: Baju Teater adolah pamenang A' Design Award Perak, sabuah pangakuan nan luar biaso bapresti nan dibarikan ka rancangan tingkaik tatinggi, elok jo mangesankan. Pamenang Perak adolah karya nan sangaik cemerlang jo sangaik kreatif nan mamparlihatkan kapakaran, bakaik jo katajaman pikiran parancangnyo. The Armor Primary Function: Baju Teater dipaokan manjadi karya nan mangaguikan, contoh tauladan, sangaik profesional jo inovatif sacaro dalam. Rancangan nan manang Perak iko adolah panemuan nan nampak jo dikagumi nan mambari sumbangan untuak maluaskan batas seni, ilimu, rancangan jo teknologi. The Armor Primary Function: Baju Teater adolah ciptaan nan dicamburui banyak urang, nan mambangkikkan karinduan, mambaok parasaan positif jo malahiakan karagumon jo kakaguman.

Di Baliak Desain

Kit Pers

Kredit, anggota tim jo rincian teknis nan disadioan dek perancang.

Sifat Unik
This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
Dimensi & Kemasan
Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm
Tag
Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
Teknologi Produksi
The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees.
Tantangan Desain
The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
Penelitian
My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
Inspirasi
Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
Durasi Proyek
The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
Alua Operasi
The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
Paten
Copyrights belong to Chijona, Samantha, 2018
Anggota Tim
Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca
Kredit Gambar
Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018

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