Ko te hoahoa Ponto Turumoni nā Roberta Banqueri he kaitoa whakahirahira o te 2020 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Taputapu.
ParahiTaputapu· 2020
Ponto Turumoni
Kiritaki: Pontoeu
Kaitoa o te A' Design Award Parahi i te Wāhanga Taputapu
Kaitoa Tohu Manatokohia
Manatokohia te Tūnga Tohu mō #83334Te Hoahoa
Mō Ponto Turumoni
Ko Ponto he turumoni i hangaia mō ngā wāhi iti me ngā whare rerekē. He iti ngā huānga e whakamahia ana i roto i te hoahoa. Ko tētahi raina kōpiko roa kotahi e hanga ana i te hanganga, ngā ringa me te tuara noho. Kua whakapaipaihia te nohoanga me te tuara noho, ā, ko te āhua tinana o te nohoanga e tautoko ana i te noho pai. Ko te hanganga o waho i hangaia mai i te rākau parāoa kua hurihia, ā, ko tētahi ngako ngongo whakarino e whakakaha ana i ngā ringa. Ko tētahi tautoko ngongo whakarino i te āhua X e pupuri ana i te nohoanga. Ka taea te whakakotahi ngā momo rākau me ngā tae rerekē ki ngā hononga o ngā wāhanga kua hurihia. Ko Ponto tētahi wāhanga o tētahi whānau turumoni.
Te Whakamihi
Mō te A' Design Award Parahi
Ko Ponto Turumoni te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Ponto Turumoni he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Ponto Turumoni i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.
I Muri i te Hoahoa
Kete Pāpāho
Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.
- Āhuatanga Motuhake
- The piece has a simple language, executed with few elements, a single elongated line and curves structure the seat, the arms and the backrest. At the point of fitting of turned parts can mix types and colors of wood, giving a unique effect to the whole. The seat and backrest are upholstered, the anotomic and organic form of the seat offer a user comfort. The wooden structure was reinforced with a metal tubular core.
- Inenga & Pēketanga
- 600mm x 600mm x 740mm the chair
700mm x 700mm x 740mm the armchair
500mm x 500mm x 1000mm the stool - Tūtohu
- Brazil, Furniture, chair, robertabanqueri, braziliandesing, mobiliariobrasileiro
- Hangarau Whakanao
- The execution of the product is due to the union of technology of a machining center of 6 axes with the use of handcrafted processes. The entire external structure was made of solid wood turned, it took an internal reinforcement in metal to give resistance to part of the arm, and to the assembly, the structure that supports the seat is a metallic X shaped tubular structure, the arms were initially made by hand, around manual and later the drawing passed to the program, being executed by the machining center.
- Wero Hoahoa
- The creative challenge was to be so simple as to stand, was to be different from the products known in the market, without being pretentious, have personality and functionality, small and light, despite being in solid wood, to run we use a wood called Tauari, light although tough, has light color and allows for dyeing.
- Rangahau
- The seemingly simple design contained a huge challenge, to make two big lines hold the whole set, to have a part that followed and turned an arm to support the user, it took some prototypes and tests of resistance, the first arms broke when subjected to weight that an adult human being applies to the sitting and lifting of the chair, then it was necessary to structure with a metal soul internally, but that alone was not sufficient, we had to study how much it should enter and what angle necessary for the solution to work.
- Whakaaweawe
- The motivation was to have a simple and elegant product, while small and versatile to get into any space or decor. The language should be contemporary and universal, the use of wood turned and leather, refers us to brazilian modernism, and the minimal of the piece does not refer to the concept of scandinavian simplicity.
- Roanga o te Kaupapa
- The project started in july 2018 and finished february 2019, was exhibited in 35 Paralela Fair in São Paulo, SP, Brazil
- Rerenga Mahi
- The Ponto line is composed of a family of seats, will meet all the seating needs, simply and small, the seat being rounded and having narrow sides offers a large internal space, something that can only be perceived by sitting, thus, as the comfort that provides the anatomical seat.
- Pātene
- Copyryghts by Roberta Banqueri Serra, 2019
- Ngā Mema o te Rōpū
- Designer Assistent: Rodrigo Costa da Silva
Woodworkers: Alinor Zanotto
Ricardo Zanotto
Valdecir Zanotto
Factory: Todo Ind. de Móveis - Whakamana Whakaahua
- #1 Moresco, Ponto, 2019.
#2 Moresco, Ponto, 2019.
#3 Moresco, Ponto, 2019.
#4 Paulino, Ponto, 2020.
#5 Paulino, Ponto, 2020.
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