Peke ki te ihirangi
Cadence of the Spiral Mahi Matua: Whakaurunga Korikori nā Yusuke Kamiyama

Ko te hoahoa Cadence of the Spiral Mahi Matua: Whakaurunga Korikori nā Yusuke Kamiyama he kaitoa whakahirahira o te 2026 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Toi me te Whakaaturanga Toi.


HiriwaToi· 2026

Cadence of the Spiral Mahi Matua: Whakaurunga Korikori

nā Yusuke Kamiyama

Kiritaki: Spline Design Hub Inc.

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Toi

20,405

Ngā Tae

Te Hoahoa

Mō Cadence of the Spiral Mahi Matua: Whakaurunga Korikori

Te Tuku o te Tōraparapa e tūhura ana i te wā hei mea kōpīpī, e hāngai ana ki te whanaungatanga, e ora ana. He papa maitai puna parmāhanga kua hangaia hei āhua e huri tonu ana e toru tekau ngā ringa miihini. Ka nekeneke ngā ringa i runga i ngā riipene ātaahua, kua nekehia te wāhanga. I a te tōraparapa e manawa ana, e wiriwiri ana, e whakaraupapa anō ana i a ia anō, kāore he wā e rite ana ki tētahi atu. He mea whakaawe te mahi e te puna matua o tētahi mataaratanga miihini. Ka whakamāoritia anōtia e ia te maitai whakapōrara hei ipu mō te pūngao kua rongoatia me te rerenga o te wā. Kāore te korikori e tukurua. Engari, ka whakaaturia te panonitanga mā te rerekētanga whakahaere. Kāore te wā e inea, engari ka rongohia.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Cadence of the Spiral Mahi Matua: Whakaurunga Korikori te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Cadence of the Spiral Mahi Matua: Whakaurunga Korikori he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Cadence of the Spiral Mahi Matua: Whakaurunga Korikori he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Inenga & Pēketanga
Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Tūtohu
Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Hangarau Whakanao
A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Wero Hoahoa
The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Rangahau
This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Whakaaweawe
Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Roanga o te Kaupapa
The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Rerenga Mahi
The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Pātene
Copyrights belong to Spline Design Hub Inc., 2025.
Ngā Mema o te Rōpū
Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Whakamana Whakaahua
IMAGE CREDITS: Daisuke Ohki

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