Peke ki te ihirangi
Balanco Hōpa nā Daniel Coutinho

Ko te hoahoa Balanco Hōpa nā Daniel Coutinho he kaitoa whakahirahira o te 2026 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Taputapu.


HiriwaTaputapu· 2026

Balanco Hōpa

nā Daniel Coutinho

Kiritaki: Daniel Coutinho Estudio

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Taputapu

20,828

Ngā Tae

Te Hoahoa

Mō Balanco Hōpa

He hōpa kōwae a Balanco i hoahoatia mō ngā rūma o ēnei rā. E hāngai ana te ingoa ki te kāpene tītoko, arā te mātāpono hanganga i whakamahia hei whakaiti i te taumaha e kitea ana o te taonga nei. Ka whakakotahi a Balanco i tētahi tūāpapa whakapaipai e iri ana, i tētahi tuarā rākau mārō, me tētahi tēpu taha kōhatu māori kua whakaurua ki runga i tētahi tautoko konganuku. Kua whakaitihia ngā wāhi tautoko e kitea ana, nō reira he māmā te āhua o te rahi nui. Mā te rākau mārō, te parahi, te kōhatu, te rīnena, te hiako me te weriweri e hanga tētahi rerekētanga i waenga i te kiato o ngā rawa me te māmā o te āhua. Ko te roa katoa he 3500 mm.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Balanco Hōpa te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Balanco Hōpa he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Balanco Hōpa he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
The structure was conceived to minimize visible support points, reducing the perception of weight in a large-scale piece. The contrast between dense materials and the resulting formal lightness establishes a distinctive structural language. The intentional misalignment reinforces its identity, while the cantilevered side table, supported by a metal base, enhances the sense of suspension and lightness.
Inenga & Pēketanga
Modular system composed of a suspended upholstered base, structural solid wood backrest, and integrated natural stone side table with metal support.
Total length: 3500mm Depth: 920mm Seat height: 430mm Total height: 665mm Side table: Total length 700mm:Depth: 700mm
Tūtohu
structural lightness, contemporary furniture, Brazilian design, modular sofa, noble materials, structural cantilever, sophistication, authorial design, material contrast, elegance
Hangarau Whakanao
The structure was designed with strategic load distribution and visually minimized support points, allowing the suspension effect while maintaining structural integrity. The upholstery uses multi-density foams and coverings in linen, leather, and velvet, applied using advanced upholstery techniques. The combination of structural engineering and construction precision transforms high-density materials into a visually light and continuous expression.
Wero Hoahoa
The challenge was to transform a large-scale piece into a visually lightweight volume, requiring structural refi nement, iterative prototyping, and precise control of proportions and materials. The result demonstrates how engineering and design work together to redefi ne structural perception in contemporary furniture.
Rangahau
Applied research in furniture design focused on the relationship between structure, materiality, and visual perception. The objective was to investigate how structural cantilever and material combinations could reduce the perceived weight of upholstered pieces. The methodology included formal analysis, material experimentation, 3D modeling, and prototyping. The results show that balancing structure and materials redefi nes visual perception, contributing to new approaches in contemporary design.
Whakaaweawe
Architectural and structural references guided the development of a solution that explores visual suspension as a design language. Throughout the process, the investigation of the interaction between solid wood, brass, stone, linen, leather, and velvet guided the search for material balance, where the contrast between physical density and visual lightness defi nes the expression and identity of the piece.
Roanga o te Kaupapa
The project was developed over two months at the brand’s studio in Sao Paulo, Brazil. The process involved conceptual investigation, structural development, and material experimentation, focusing on the integration of visual lightness, stability, and balance between different materials, resulting in a solution that combines technical rigor and contemporary expression.
Rerenga Mahi
The sofa integrates the seat and side table into a continuous composition, where the cantilevered element expands its functionality without compromising visual lightness. The structure was conceived to reduce the perception of weight, creating a sense of suspension. Unlike conventional solutions, the solid wood backrest is treated as an essential part of the design, allowing the piece to be freely positioned and appreciated from all angles within the space.
Whakamana Whakaahua
Image 1: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 2: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 3: photographer: Fernando Crescente Fotografia, Balanco, 2026, Image 4: photographer: Fernando Crescente Fotografia, Balanco, 2026.
Video: Fernando Crescente Fotografia, Balanco, 2026.

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