Cycle Of Matter Tūru Whakaaturanga nā Marzena Michalska - Smart Design Expo

Ko te hoahoa Cycle Of Matter Tūru Whakaaturanga nā Marzena Michalska - Smart Design Expo he kaitoa whakahirahira o te 2026 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Waihanga Whakaaturanga Hokohoko, Roto me te Whakaaturanga.

HiriwaWhakaaturanga Hokohoko· 2026

Cycle Of Matter Tūru Whakaaturanga

nā Marzena Michalska - Smart Design Expo

Kiritaki: Smart Design Expo

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Whakaaturanga Hokohoko

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Kaitoa Tohu Manatokohia

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Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Cycle Of Matter Tūru Whakaaturanga

Ko Cycle of Matter he tūru whakaaturanga i hoahoatia mō tētahi kaihanga taera uku. E 135 mita pūrua te rahi o te tūru, ā, e 4 mita te teitei rawa. Nā te āhua kati o tōna hanga o waho, he iti noa te kitea, nō reira ka hurahia te kōrero o roto i muri anake i te tomokanga. Kua whakakahua ngā mata ki ngā taera taketake kāore he tae, kāore he tauira, e whakaatu ana i te rawa i tōna āhua mataiti. Mā tētahi ara pokapū e ārahi ngā manuhiri mā roto i tētahi raupapa wāhi e tohu ana i ngā wāhanga o te hanganga taera. Nā ngā ārai motuhake, te papa pūhara me te tata ki te 160 rama e hanga te haerenga.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Cycle Of Matter Tūru Whakaaturanga te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Cycle Of Matter Tūru Whakaaturanga he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Cycle Of Matter Tūru Whakaaturanga he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Art in Motion. Material that lives.
The Stargres booth was conceived as a spatial narrative about the life of a tile. Its compact, enclosed architecture reveals little from the outside, concealing a story that unfolds only once inside. Clad entirely in raw base tiles without color or pattern, the monochromatic earth-tone space is structured around a central corridor guiding visitors through symbolic stages of tile creation, highlighting process, material origin and rediscovery.
Inenga & Pēketanga: Total area: 135 sqm
Maximum height: 4000 mm
Platform height: 150 mm
Cladded surface with ceramic tiles: approx. 250 sqm
Custom partitions: 17 X type modules, 3 V type modules
Suspended tile composition: 16.5 sqm
Lighting fixtures: approx. 160 units
Integrated AV system with 43 inch screens
Tūtohu: exhibition architecture, trade fair design, ceramic tiles, sustainable narrative, spatial storytelling, temporary architecture, material research, immersive space
Hangarau Whakanao: The structure was built as a modular temporary architecture with a 4 m maximum height. System platform flooring (150 mm, laser leveled) supported full tile installation without grouting. Custom X and V partitions were fabricated in OSB and finished with client tiles or structural paint. Powder coated steel edge profiles defined the platform. Over 160 luminaires created layered scenographic lighting. Installation included integrated electrical systems and multimedia walls.
Wero Hoahoa: The main challenge was presenting a raw base tile as a central aesthetic element while maintaining architectural coherence. Structurally, the booth required heavy ceramic cladding within temporary fair regulations and height limits. Achieving stability, modularity and precise installation without visible technical compromise demanded tight coordination between design, engineering and production teams.
Rangahau: Stoneware plays the first fiddle here. The aim was to understand how an exhibition stand could clearly show how tiles are produced and communicate the life of this material. The concept was developed as a spatial story that guides visitors step by step through the cycles. Material tests, technical drawings, mockups and cost analysis supported the process, with close collaboration between the design team and Stargres production consultants. The result was a corridor shaped booth showcasing the product, with the base covered in the material in its primary form.
Whakaaweawe: The project was inspired by the idea of returning to origin. Instead of presenting finished collections, the design focuses on the base tile, the raw state preceding color and pattern. This gesture reflects transparency in production and a sustainable mindset. The booth becomes an architectural storyboard, guiding visitors through the symbolic stages of material transformation and rediscovery.
Roanga o te Kaupapa: The project started in June 2025 in Poland and was completed in October 2025. Production began in September 2025. The booth was installed between 17-21 October 2025 and exhibited at Warsaw Home 2025 from 22-25 October 2025 in Warsaw, Poland.
Rerenga Mahi: Visitors enter a visually restrained exterior that reveals little of the interior. A central corridor guides them through sequential spatial frames representing stages of tile production. Surfaces, lighting and material transitions create a gradual discovery process. The booth encourages slow exploration rather than immediate display, transforming product viewing into a curated spatial experience.
Ngā Mema o te Rōpū: Designer: Marzena Michalska
Design Studio: Smart Design Expo