Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho nā Mto & Large

Ko te hoahoa Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho nā Mto & Large he kaitoa whakahirahira o te 2026 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2026

Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho

nā Mto & Large

Kiritaki: Mto & Large

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

18,128

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #177037

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho

He hoahoa o roto mō te whare noho a Cest Lavie Villa, kei te Takiwā o Jinjiang, Chengdu, Haina. E 478 mita pūrua te rahi o roto. Ka honoa e te hoahoa ngā tohutoro Hainamana me te Uru i raro i te kaupapa o te māramatanga mutunga kore. Ka tūtaki ngā āhuatanga o te rohe, pērā i te kakano o te Tuitui Shu me ngā tae o ngā kanohi whakaari o te Opera o Sichuan, ki tētahi kāhua Wīwī o nāianei. Ka whakatuwherahia e ngā matapihi mai i te papa ki te tuanui ngā rohenga i waenga i ngā rūma, ā, ka tukua te māramatanga taiao ki roto. He pai ngā wāhi tūmataiti mahi maha mō ngā momo horopaki noho rerekē. Ko ngā whakaturanga toi me ngā peita pakitara i hangaia ki ngā waikano tawhito me ngā rawa hangarua.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Cest Lavie Villa Te Hoahoa o Roto mō te Whare Noho he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Compared with designs of the same type, this project has three advantages. First, Chinese and Western cultures integrate through the aesthetics of material forms and natural light. Second, it absorbs the local cultural atmosphere and forms a unique park-city lifestyle scene that conforms to the project's positioning. Third, it adopts environmentally friendly materials to further refine the production of installation materials.
Inenga & Pēketanga: The project covers an interior area of 478 square meters, located in Jinjiang District, Chengdu. The space integrates floor-to-ceiling windows that open the boundaries of the rooms, multifunctional private areas for diverse usage, and custom art installations crafted from eco-friendly and recycled materials.
Tūtohu: Boundless Light, Shu Embroidery, Sichuan Opera, Chengdu Culture, Chinese and Western fusion, French Romance, Sustainable Design, Recycled Materials, Interior Space, Art Integration
Hangarau Whakanao: The project emphasizes environmental protection in material use. Art installations and wall paintings were crafted using aged pigments and recycled waste materials. Environmentally friendly materials were applied in the production of installation elements. The design effect relies on the interplay of material properties and natural light rather than special technologies.
Wero Hoahoa: The main challenge was introducing a high-risk eclectic style into China's real estate market while meeting a tight schedule for remote construction. Implementation of art installations faced technical difficulties, and wall paintings raised differing interpretations among stakeholders. These were overcome through close collaboration, timely communication, and the designer's personal revisions using aged pigments and recycled materials.
Rangahau: This project is located in Jinjiang District, Chengdu, Sichuan Province. As an emerging commercial city, Chengdu also boasts profound local cultural heritage. The project integrates the texture of Shu Embroidery stitches and the color relationships of Sichuan Opera Face-Changing masks, and combines them with the theme of "Boundless Light" to present itself through contemporary artistic approaches.
Whakaaweawe: Drawing inspiration from the integration of Chengdu's local culture and international aesthetics, this design extracts local elements such as Shu Embroidery and the color palettes of Sichuan Opera Face-Changing. It uses the element of light to adorn the shape of the interior space and its decorations, ultimately presenting an eclectic style infused with contemporary French romance.
Roanga o te Kaupapa: The project started in January 2025 and finished in August 2025 in China.
Rerenga Mahi: The space operates as a poetic residence where light shapes atmosphere and guides movement. Floor-to-ceiling windows erase boundaries, creating openness, while multifunctional areas adapt to different living scenarios. Users interact with shifting light, textures, and cultural references, experiencing an immersive blend of art and life that enhances both function and emotional resonance.
Whakamana Whakaahua: Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.