Peke ki te ihirangi
Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra nā Miki Orihara

Ko te hoahoa Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra nā Miki Orihara he kaitoa whakahirahira o te 2025 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.


HiriwaRoto Whare· 2025

Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra

nā Miki Orihara

Kiritaki: Rinn Kyoto Miyagawasuji Hitotose Aki

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

16,739

Ngā Tae

Te Hoahoa

Mō Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra

Ko Rinn Kyoto Miyagawasuji Hitotose Aki he hoahoa o roto o tētahi hōtēra kei Miyagawa-suji, he tiriti kei Kyoto e pupuri tonu ana i te āhua tawhito o te huarahi. E whai ana te hoahoa i ngā ture taumaha ā-rohe mō ngā tae, ngā hanga me ngā momo o ngā whare. Mā te mahere rama e arahi ngā manuhiri mai i te rama pōuriuri i te tomokanga ki ngā rūma mārama ake, ā, mā te rama autaki e whakaatu te kakano o ngā pakitara. Ka whakamahia te pepa washi i hangaia me tētahi ringatoi pepa o te rohe i ngā huarahi maha, tae atu ki te whakamaimoa kakishibu, te miro koyori me te whakapaparanga fukuro-bari. Ko te whāinga he wāhi marino, mahana hoki mō ngā noho whakahauora.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Rinn Kyoto Miyagawasuji Hitotose Aki Te Hoahoa o Roto o te Hōtēra he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
This facility is located on Miyagawa-suji and features a design that emphasizes harmony with its surroundings. The lighting plan makes full use of materials and cooperation with a local washi paper artist has been designed with local production for local consumption in mind. Kakishibu washi paper and the koyori technique are used to add shading, aiming to create a facility with concern and warmth in the traditional streetscape.
Inenga & Pēketanga
Although Japanese paper is used extensively, it is expressed in a variety of ways. Japanese paper mixed with clay and colored Japanese paper plus plastering, kakishibu, which has been used since ancient times for its antiseptic and water-repellent properties koyori, in which Japanese paper is picked up and twisted by hand fukuro-bari, in which the surface is covered to seal the cavity, and furthermore, lighting is installed in the cavity.
Tūtohu
Interior Design, Hotel Luxury, Living space, Guesthouse, Asia , Japan
Hangarau Whakanao
Kyoto has strict regulations in place to protect its traditional landscape, and the colors, shapes and designs of buildings must conform to a prescribed style. We have actively worked to comply with these regulations, incorporating external lighting into the interior of the first floor without any sense of incongruity, and creating a “stillness” and “movement” atmosphere on the second floor, created by Kyoto artisans.
Wero Hoahoa
While overcoming the strict landscape regulations, how can we create a new style without destroying the good image that many people have of Kyoto's machiya? We also carefully considered what kind of measures would be needed to ensure that guests would be comfortable in the hot summers and cold winters.
Rangahau
We held discussions with the Japanese paper artists about colors and construction methods, and solved the problem in a variety of ways. We also reread works such as Junichiro Tanizaki's In Praise of Shadows, E. Oryong's The Shrinking Japanese Mind and Bruno Taut's Nippon and summarized our way of thinking.
Whakaaweawe
The space has been created to reflect the Japanese aesthetics of drawing in, with the intention of capturing the atmosphere of Miyagawa-cho, Kyoto, inside the room. To change from the dim light upon arrival at the inn to the brightness of the interior, the lighting is based on Junichiro Tanizaki's In ei Raisan. In the guest rooms, indirect lighting is used to accentuate the texture of the walls, and the materials and lighting are carefully selected.
Roanga o te Kaupapa
605-0801 4-297-10 Miyagawasuji Higashiyama-ku Kyoto city
Completed on October 26, 2023.
Rerenga Mahi
Design plays an important role in shaping cities. I also think it has a role to play in passing on culture to the next generation. I hope this book will be a chance for many people to learn about the importance of design.
Ngā Mema o te Rōpū
Lead Designer : Miki Orihara
Interior Designer : Mao Namikawa
Graphic Designer : Kei Sakai
Washi paper-making artist : Wataru Hatano
Whakamana Whakaahua
Main Image / Toshihide Kajiwara
Image #1 / Toshihide Kajiwara
Image #2 / Toshihide Kajiwara
Image #3 / Toshihide Kajiwara
Image #4 / Toshihide Kajiwara

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