Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete nā Peng Guo, Ka Ping Kwok and Bin Li

Ko te hoahoa Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete nā Peng Guo, Ka Ping Kwok and Bin Li he kaitoa whakahirahira o te 2025 A' Design Award Koura i te Wāhanga Whakataetae Hoahoa Toi Whakaari, Atamira, Āhua me te Tirohanga.

KouraToi Whakaari· 2025

Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete

nā Peng Guo, Ka Ping Kwok and Bin Li

Kiritaki: Beijing Yamei Times Culture Media Co. Ltd

Kaitoa o te A' Design Award Koura i te Wāhanga Toi Whakaari

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #162058

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete

He hoahoa atamira konohete tuwhera te Konohete Mars a Hua Chenyu, i hangaia mō tētahi wāhi nui ki waho. E whā ngā rohe o te whakatakotoranga: he atamira matua e 106 mita te whānui, e 28.5 mita te teitei, e rima ngā papa mō ngā mahi whakaari, he atamira porowhita ā-kāinga e 19 mita te whānuitanga o te porohita, he atamira toronga e 30 mita te roa e whakawhiti ana i te wāhi o te hunga mātakitaki, me tētahi hanganga porowhita e 100 mita te whānuitanga o te porohita e karapoti ana i te katoa o te wāhi. Ka honoa ngā mata LED whakaata ki ngā papa nekeneke me ngā wāhanga miihini. Mā ngā rauemi whakaata me ngā rauemi pūataata e hono ai te atamira ki te whenua o te putanga o te rā.

Te Whakamihi

Mō te A' Design Award Koura

Ko Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete te toa o te A' Design Award Koura, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke tuatahi, whakamīharo me te hiranga. Ko ngā toa Koura he mahi tino auaha, he tirohanga mamao, he kanapa ahi, e whakaatu ana i te pūmanawa, te mātauranga me te tohungatanga o ā rātou kaihoahoa. E tūmanakohia ana ko Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete he hanganga tūnga e whakatū ana i ngā ia, he whakanuia rawa, e kawe mai ana i te uara kāore anō kia kitea. Ko tēnei hoahoa i toa i te Koura he kaupapa whakamīharo, whakahonoretia e whakawhānui ana i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ka whakaara a Hua Chenyu Mars Concert Te Hoahoa Atamira Konohete i te hiahia nui, ka whakaoho i te kaingākau, ka whakatenatena i te auaha, ā, ka whakamīharo i a tātou.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: To present this visually stunning effect, the design team ingeniously integrates the performance area, installations, and structures within the venue, collectively creating a "Martian civilization" that is both epic and futuristic. Here, every audience member can feel the charm of Hua Chenyu's music and his dedication and passion for music.
Inenga & Pēketanga: In terms of stage layout, we meticulously planned four major zones: the main stage, the "home stage," the extension stage connecting the main stage and the "home stage," and a massive circular structure enveloping the entire setup. The main stage is 106 meters wide and reaches a height of 28.5 meters, divided into 5 levels of performance space. The background consists of 10 sets of movable platform mechanisms, creating a versatile spatial effect. The "home stage" is a circular stage with a diameter of 19 meters and a top structure height of 16 meters, resembling an "interstellar device" from the "Martian civilization." The extension stage, serving as a bridge in the "Martian civilization," spans the audience seating area, naturally connecting the main stage and the "home stage," with a total length of 30 meters and an internal mechanical slope of 11 meters. The massive circular structure has a diameter of 100 meters, encompassing all the aforementioned spatial structures, presenting a rich and vibrant stage effect.
Tūtohu: Stage, Hua Chenyu, Concert, Shandong
Hangarau Whakanao: The main stage combines state-of-the-art self-developed mirrored LED screens with mechanical elements, forming a stable and poised structure imbued with infinite possibilities for transformation. On the "home stage," a blend of natural and science fiction atmospheres triggers a magical chemical reaction. The viewing angle tends towards a miniature "four-sided stage," offering a broader perspective for the audience and facilitating interactive and relaxed performances. Serving as a bridge connecting the main stage, the extension stage features a massive circular structure enveloping the entire venue, enhancing immersion and symbolizing the mutual dedication between Hua Chenyu and his fans. The immense circular installation in the fourth section embraces the entire stage, providing the audience with a sense of departing from home, wandering, and returning to their own abode.
Wero Hoahoa: The stage has a very high load-bearing capacity, numerous transformation effects, and the plan needs to be adjusted according to weather changes.
Rangahau: In the process of stage design, safety has always been our top priority. From the initial stages of the design concept, we completed safety technology assessments for the structure, mechanics, and other hardware to ensure that all designs meet safety standards. During the construction process, we strictly adhere to safety regulations and conduct rigorous fire safety certification for all materials used. Additionally, we continuously monitor natural weather conditions such as rain and wind in real-time and have developed corresponding emergency plans.
Whakaaweawe: This concert is the realization of a three-year promise between Hua Chenyu and his fans, as well as a heartfelt tribute to their mutual emotions. The theme of the stage design echoes Hua Chenyu's classic masterpiece "Born to Be Wild," drawing inspiration from the magnificent cities of mythological realms, evoking a sense of harmony with nature and a longing for the unknown.
Roanga o te Kaupapa: It is published on 02, April, 2024 and in Shandong, China.
Rerenga Mahi: In terms of implementation, we have adopted a variety of innovative technologies. Firstly, we have independently developed the technology that combines mirrored LED screens with mechanical elements, allowing the stage to accommodate infinite changes and possibilities within a stable and poised structure. Secondly, we have utilized a large amount of reflective and transparent materials to seamlessly integrate the stage with the natural sunrise landscape. Additionally, by combining conventional movable platforms with unconventional moving forms and utilizing unconventional materials, we have created an extremely rich stage transformation. The application of these innovative technologies has enabled the realization of the entire stage design and the presentation of unique effects.
Ngā Mema o te Rōpū: Beijing Yamei Times Culture Media Co Ltd
Peng Guo
Ka Ping Kwok
Bin Li