Zijin Art Museum Hoahoa o Roto nā The Design Code Co.,Ltd

Ko te hoahoa Zijin Art Museum Hoahoa o Roto nā The Design Code Co.,Ltd he kaitoa whakahirahira o te 2023 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

HiriwaRoto Whare· 2023

Zijin Art Museum Hoahoa o Roto

nā The Design Code Co.,Ltd

Kiritaki: The Design Code CO.,LTD

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Roto Whare

14,557

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #148068

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Zijin Art Museum Hoahoa o Roto

Ko Zijin Art Museum he hoahoa o roto mō tētahi whare toi papa-rua me tētahi pokapū hoko e 1,200 mita pūrua te rahi. Ko te kaupapa ko te Raupapa me te Toi, i ahu mai i te ariā o te hoahoa herekore. Kei te papa tuatahi te horowai o mua, te tēpu manaaki, te rūma tauira me te whakaaturanga mahi toi. Kei te papa tuarua tētahi wāhi ataata waitohu, tētahi wāhi tēpu onepū, tētahi pae wai me tētahi wāhi whiriwhiri kōrero. Ka honoa ngā papa e rua e tētahi arawhata poutū, ā, ka honoa ngā wāhi e ngā ara hurihuri porowhita. Kua whakakotahitia te papatea rākau, te kōhatu, te peita motuhake me te whakarewa puta noa.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko Zijin Art Museum Hoahoa o Roto te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko Zijin Art Museum Hoahoa o Roto he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko Zijin Art Museum Hoahoa o Roto he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Inenga & Pēketanga: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Tūtohu: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
Hangarau Whakanao: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Wero Hoahoa: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Rangahau: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Whakaaweawe: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Roanga o te Kaupapa: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Rerenga Mahi: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Ngā Mema o te Rōpū: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie