The Land of Rocks Te Tūru Whakaaturanga nā Weixian He and Baoyang Wei

Ko te hoahoa The Land of Rocks Te Tūru Whakaaturanga nā Weixian He and Baoyang Wei he kaitoa whakahirahira o te 2023 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Waihanga Whakaaturanga Hokohoko, Roto me te Whakaaturanga.

HiriwaWhakaaturanga Hokohoko· 2023

The Land of Rocks Te Tūru Whakaaturanga

nā Weixian He and Baoyang Wei

Kiritaki: Wise Space Aesthetics

Kaitoa o te A' Design Award Hiriwa i te Wāhanga Whakaaturanga Hokohoko

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Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #139921

Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō The Land of Rocks Te Tūru Whakaaturanga

Ko Te Whenua o ngā Toka he wāhi whakaaturanga taupua i hangaia mō tētahi waitohu kōhatu tāwene i te Wiki Hoahoa o Guangzhou i te tau 2020. E 180 mita pūrua te rahi o te tūru. Mā te whakatakotoranga āhua-kati, āhua-tuwhera e ārahi ngā manuhiri i tētahi ara rerekē, ā, mā ngā kōwhao i tapahia ki ngā pakitara kua whakaritea ka kitea ai ngā tauira o te kōhatu mai i waho, mai i roto hoki. E tū ana tētahi hanganga kōpiko ko Rock Flower te ingoa i te pokapū o te atamira. Mā te hoahoa nei ka kitea, ka ngāwari hoki te wheako i te hononga i waenga i te kōhatu tāwene, te nohoanga me te tāone nui.

Te Whakamihi

Mō te A' Design Award Hiriwa

Ko The Land of Rocks Te Tūru Whakaaturanga te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko The Land of Rocks Te Tūru Whakaaturanga he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko The Land of Rocks Te Tūru Whakaaturanga he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: "Custom, high-end, professional brand essence" given to show the space inside and outside.The main products combined with the brand culture are displayed in front of the public through a variety of aesthetic forms to create a visual, sensory and experiential immersive experience place.The purpose is not only to express exhibitionality and artistry, but also to attract the attention of designers and professionals and create conditions for brand communication and brand appreciation.
Inenga & Pēketanga: 180sqm
Tūtohu: Brand exhibition, temporary exhibition, ceramic tile, sintered stone, Guangzhou
Hangarau Whakanao: Arrangement and encircle do not cause closure or isolation. On the contrary, through special arrangement and cut crevices, one can see the beautiful and varied posture of the stone patterns from the outside to the inside. Or watching people from the inside out as they move and stare curiously at them.
Wero Hoahoa: The huge theme of the relationship between sintered stone, habitation and city is challenging to express through a limited space in a limited time period. We have a primary and secondary layout of a spatial structure, giving full consideration to the design aesthetic feeling and functionality, semi-enclosed and semi-open structure to create a dynamic visiting line. Visitors can control the rhythm of moving and static, fast and slow, so that visitors have a sense of immersion.
Rangahau: From the point of view of the brand, while fully displaying the advantages of the product, we need to express the deeper cultural connotation, that is, to make the relationship between sintered stone, habitation and city visible, palpable and experiential, which is the focus of our design. This relationship is not straightforward, but requires people to place themselves in the space, heart feeling. So when we design, we need to consider how to make the visitors have a more delicate touch point - Architecture should become more open in the city, both formally and emotionally.
Whakaaweawe: What is the relationship between sintered stone, habitation and city? One lives in the city, moving between different buildings and staying sometimes. This exhibition space is like the epitome of urban architecture. The sintered stone and its application products are integrated into the space, and the building will no longer be a "shelter" without emotion. Endowed with the soul of nature, the architecture has more flexibility and is infinitely close to people's hearts.
Roanga o te Kaupapa: The project was constructed and completed in Guangzhou in December 2020, and was exhibited at Pavilion 2C06, Hall 2, Guangzhou Design Week from December 3 to December 6, 2020.
Rerenga Mahi: To meet the requirements of semi-open interaction, the entrance presents the characteristics of rigid and flexible sintered stone in two ways. Symmetric and asymmetric docking - Together. The flexibility and suppleness of sintered stone as the first impression to attract the attention of visitors. The "Rock flower" structure stands in the center of the stage as the protagonist, with graceful curves extending upward. When you sit on the bench and look up, the clouds glow implicitly, like a dream.
Ngā Mema o te Rōpū: Chief Designer: Weixian He
Designer: Baoyang Wei
Designer: Fengming Tang
Whakamana Whakaahua: Image #1, 2, 3, 4, 5: Photographer Zhuoquan Wu
Video shooting and editing: Zhuoquan Wu