Poro City Poro City nā Chieh-Ting, Yushan Martha and Kyoung Eun

Ko te hoahoa Poro City Poro City nā Chieh-Ting, Yushan Martha and Kyoung Eun he kaitoa whakahirahira o te 2022 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.

RinoRoto Whare· 2022

Poro City Poro City

nā Chieh-Ting, Yushan Martha and Kyoung Eun

Kiritaki: Architecture for community Los Angeles

Kaitoa o te A' Design Award Rino i te Wāhanga Roto Whare

29,507

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #133740

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Poro City Poro City

Ko Poro City he hoahoa whakaaturanga i hangaia mai i nga pouaka miraka. Ka hangaia e nga pouaka he punaha rite ki te pereki, ehara i te ataahua marama, ehara ano hoki i te totoka, e pupuri ana i te whakaaturanga me te kore herenga pakeke. Ko nga pakitara ngutu-ngutu, kohao-kohao e whakarite ana i nga tirohanga, e whakamahara ana ki nga mata poraka-hau e kitea ana i Los Angeles. He mea tere te whakahiato o tenei huinga waahanga hangarite, ka taea hoki te urutau ki nga waahi rereke, i roto me waho. Ka whakamahia e tenei whakaturanga nga pouaka 1100, ia 33 cm x 33 cm x 28 cm te rahi, i roto i tetahi whare whakaaturanga 200 mita tapawha te rahi. Ma nga tae kanapa e huri ai tetahi taonga whaihua, e mohiotia whanuitia, hei waahi manaaki tangata.

Te Whakamihi

Mō te A' Design Award Rino

Ko Poro City Poro City te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko Poro City Poro City he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a Poro City Poro City mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Poro City proposes a dialogue with the many communities of Los Angeles. Milk crates function as a brick system that is neither transparent nor solid, housing the exhibition without imposing a rigid boundary. The milk crate's flexibility allows for various design options that can adapt to different spaces. Moreover, its immediately familiar iconography makes it approachable to a wide range of audiences.
Inenga & Pēketanga: It is constructed with 1100 counts of 33 cm x 33 cm x 28 cm milk crates and distributed in a 200 square meters gallery.
Tūtohu: exhibition design, reuse, second life,
Hangarau Whakanao: Our modular crate system was designed to be easy and fast to assemble. With the help of volunteers, we were able to construct all of the walls in less than a day. COVID has kept many of us indoors, so it was great to get together at Helms Bakery for the exhibition.
Wero Hoahoa: Due to the viral milk-crate challenge from Tik Tok, and to discourage climbing on the walls, we also made the decision to treat seating as a separate element rather than integrating it with the exhibition walls.
Rangahau: We were inspired by the project brief, which called for a design that could be distributed at indoor and outdoor sites throughout Los Angeles. We wanted our design to be recognizable regardless of its location, and to create a space while connecting to each unique neighborhood. We settled on a kit-of-parts construction using milk crates as our primary building material due to their adaptability and recognizability. Assembled as undulating porous walls, crates frame views and emphasize the experiential relationship between exhibition and site. The stacked brick pattern recalls the textures of breeze block walls, iconic surfaces of the LA landscape. The final result is a welcoming and vibrant exhibition in an array of vivid colors.
Whakaaweawe: Packaging is often a means to an end. We receive a good, unwrap it, and discard the container. However, some forms of packaging, like shipping crates and pallets, are designed for durability and reuse. These sturdy qualities often inspire more robust modes of use than initially intended. The same is true for the milk crate.
Roanga o te Kaupapa: It is located at Culver City, California. It starts construction on October and stand in the gallery from November to December.
Rerenga Mahi: Our vision for this exhibition was to exemplify the ability of people to create the extraordinary from the mundane. Showcasing milk crates, which by their nature are utilitarian objects, celebrates this resourcefulness. The bright and unexpected colors further elevate and transform the material and show it in a new way.
Ngā Mema o te Rōpū: Chieh-Ting Chuang
Martha Kriley
Yushan Men.
Whakamana Whakaahua: Photo credit: Dylan Corr, Kyoung Eun Park
Video Credit: Martha Kriley. Gary Doran
Graphic Credit: Nick Imbriale, Christopher Manzano, Philana Kim