Peke ki te ihirangi
Fujifilm Clay Studio2 Hoahoa Roto Tari nā Koji Aoki, Lin Su and Atsushi Fujita

Ko te hoahoa Fujifilm Clay Studio2 Hoahoa Roto Tari nā Koji Aoki, Lin Su and Atsushi Fujita he kaitoa whakahirahira o te 2022 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Roto Whare me te Whakaaturanga.


ParahiRoto Whare· 2022

Fujifilm Clay Studio2 Hoahoa Roto Tari

nā Koji Aoki, Lin Su and Atsushi Fujita

Kiritaki: Fujifilm Corporation

Kaitoa o te A' Design Award Parahi i te Wāhanga Roto Whare

10,594

Ngā Tae

Te Hoahoa

Mō Fujifilm Clay Studio2 Hoahoa Roto Tari

Ko Clay Studio 2 he hoahoa roto tari i whakaritea mō ngā mahi hoahoa hua me te hoahoa ataata i Tokyo. Ko te wāhi 300 mita tapawhā kua whakamahere hei wāhi marino mō te aro nui, he rerekē tēnei ki ngā tari e aro nui ana ki te whakawhitiwhiti kōrero. Ko te raima, te peita, me te papa raima rākau kāore i whakatikangia, nō reira e ahua kitea ana te rūma me te mea he kurupae me ngā pou anake ōna. Ko te whakapaipai kāri me te horanuku taiao ka hanga i te papamuri, ka mauria mai hoki ngā panoni o ngā wā o te tau ki roto i te wāhi. E anga atu ana ngā tēपल ki waho, ā, mā tētahi tēpu whitu mita e taea ai ngā hui poto i te wā e pupuri ana i te tāwhiti i waenga i ngā tāngata.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Fujifilm Clay Studio2 Hoahoa Roto Tari te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Fujifilm Clay Studio2 Hoahoa Roto Tari he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Fujifilm Clay Studio2 Hoahoa Roto Tari i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Inenga & Pēketanga
The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tūtohu
a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Hangarau Whakanao
concrete, painting, wood cement board
Wero Hoahoa
It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Rangahau
This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Whakaaweawe
The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Roanga o te Kaupapa
Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo 
Rerenga Mahi
While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Ngā Mema o te Rōpū
Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita

Kaitautoko

Tūhuratia i Tua Atu o Designers.org

Kimihia ngā hua, ngā ratonga me ngā āheinga mai i ā mātou hoa whakatairanga.

E Tika Ana Kia Whakanuia Ngā Hoahoa Pai

Ko te A' Design Award he tohu ā-ao, he tohu whakawā mō te hoahoa pai. Whakaurua ki te A' Design Award kia whiwhi ai koe i te āheinga ki te mana tohu, te rongonui, te mana me te whakatairanga mō āu mahi. Tukuna tō mahi ki te A' Design Award kia whakataetae mō te tohu hirahira o te A' Design Prize.

Tukuna