Peke ki te ihirangi
Yatsugatake Villa Whare Rangatira nā Kiyotoshi Mori and Natsuko Kawamura

Ko te hoahoa Yatsugatake Villa Whare Rangatira nā Kiyotoshi Mori and Natsuko Kawamura he kaitoa whakahirahira o te 2022 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Waihanga, Whare me te Hanganga.


ParahiWaihanga· 2022

Yatsugatake Villa Whare Rangatira

nā Kiyotoshi Mori and Natsuko Kawamura

Kiritaki: MDS Co., Ltd.

Kaitoa o te A' Design Award Parahi i te Wāhanga Waihanga

11,775

Ngā Tae

Te Hoahoa

Mō Yatsugatake Villa Whare Rangatira

Ko te Whare Rangatira o Yatsugatake he kāinga raumati kei Hokuto-City, Yamanashi, Hapani. Ka hangaia te whare e ngā ngongo-tapatoru e toru kua whakaritea hei āhua kapa, e whakatuwhera ana ki te tonga. Ko te kūaha whānui ki te tonga ka tuku i te rā i te wā takurua matao, ā, ko te tuanui roa me ngā pakitara taha ka ārai i te rā kaha o te raumati. Ko ngā matapihi kei te raki me te tonga e tuku ana i te hau kia rere puta noa i roto o te whare. Ka whakamahia te hanganga rakau tuku iho o Hapani, me te hita (cedar), te raima me ngā mata shoji. Ko ngā mata shoji kua katia e homai ana i tētahi mārama ngāwari, ā, ko ngā mea kua tuwhera e whakaata ana i te horopaki maunga e karapoti ana.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Yatsugatake Villa Whare Rangatira te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Yatsugatake Villa Whare Rangatira he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Yatsugatake Villa Whare Rangatira i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake
The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Inenga & Pēketanga
Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Tūtohu
Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Hangarau Whakanao
Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Wero Hoahoa
In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Rangahau
Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Whakaaweawe
With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Roanga o te Kaupapa
The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Rerenga Mahi
Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Ngā Mema o te Rōpū
Kiyotoshi Mori
Natsuko Kawamura
Whakamana Whakaahua
Photography: Toshiyuki Yano

Kaitautoko

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