The Last Blooming Nga Papanga Maha nā Qixin Wu

Ko te hoahoa The Last Blooming Nga Papanga Maha nā Qixin Wu he kaitoa whakahirahira o te 2023 A' Design Award Rino i te Wāhanga Whakataetae Hoahoa Kākahu Raranga, Papanga, Tāhūhū, Tauira me te Kākahu.

RinoKākahu Raranga· 2023

The Last Blooming Nga Papanga Maha

nā Qixin Wu

Kiritaki: EchoWu Design Studio

Kaitoa o te A' Design Award Rino i te Wāhanga Kākahu Raranga

37,954

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #108758

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō The Last Blooming Nga Papanga Maha

Ki te kapo i tetahi mea whakararu, ki te huri i te whakamaramatanga ahua uaua ki te torotoro ngawari o te hononga i waenga i te timatanga me te mutunga, ko nga puawai mate te mea matua hei whakaatu i te puāwaitanga. Ka puāwai tonu ka whakaatu i te ataahua whakamutunga. Ko nga kaupapa tukurua me te hihiri ka nui ake te ahua o te whakatakotoranga. Ko nga papanga papanga takirua, ko te tihi he chiffon, ko te tuara he miro, ka puta te ahua o te hurihanga ina tae mai te hau. Ko te ahua marama o te chiffon ka whai waahi ki te Puranga Whakamutunga he tino ataahua, he mea ngaro.

Te Whakamihi

Mō te A' Design Award Rino

Ko The Last Blooming Nga Papanga Maha te toa o te A' Design Award Rino, he whakaaetanga whai mana e hoatu ana ki ngā hoahoa pai e whakatutuki ana i ngā hiahia ngaio me te ahumahi e tūmanakohia ana mai i ngā mahi kua hoahoatia pai. Ko ngā toa Rino e whakaatu ana i te pukenga nui, te tohungatanga teitei, te māramatanga mātanga me te kaha auaha o ō rātou kaihanga. E tūmanakohia ana ko The Last Blooming Nga Papanga Maha he mahi whakanuia, whakamīharotia, aroha nui, he whaihua, he auaha hoki. Ko tēnei hoahoa i toa i te Rino e whakakotahi ana i ngā tikanga pai rawa o te ahumahi, ā, he āhuatanga hangarau pūkenga tōna e hono ana ki te mōhio me te pūmanawa. E whakahonoretia ana a The Last Blooming Nga Papanga Maha mō tōna tōtika, ā, i hoahoatia hei whakapai ake i te kounga o te oranga me te āwhina i te ao kia pai ake.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Inenga & Pēketanga: High: 27 inches
Width: 45 inches
Tūtohu: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Hangarau Whakanao: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Wero Hoahoa: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Rangahau: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Whakaaweawe: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Roanga o te Kaupapa: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Rerenga Mahi: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Pātene: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Whakamana Whakaahua: Qixin Wu