Ko te hoahoa MareNostrum Whare Noho nā Aaron Leppanen and Gabriela Anker he kaitoa whakahirahira o te 2020 A' Design Award Hiriwa i te Wāhanga Whakataetae Hoahoa Waihanga, Whare me te Hanganga.
HiriwaWaihanga· 2020
MareNostrum Whare Noho
nā Aaron Leppanen and Gabriela Anker
Kiritaki: Romero & Pazmiño Ingeniería Inmobilaria
Kaitoa o te A' Design Award Hiriwa i te Wāhanga Waihanga
Kaitoa Tohu Manatokohia
Manatokohia te Tūnga Tohu mō #104748Te Hoahoa
Mō MareNostrum Whare Noho
Ko MareNostrum he whare noho e waru ngā papa i Quito, Ecuador. E ai ki te ingoa, he tohu ki te kupu Rātini mō tō mātou moana, ā, ka whakamāorihia anōtia e te mata o te whare te nekeneke o ngā hoe o ngā waka taua o Roma. Ko te mata pikonga ka hanga i ngā papa tū nunui e whakaroa ana i te wāhi o roto ki waho. Ko ngā kokonga kua tapahia ka toro atu i ngā papa e rua, ka whakamarumaru mai i te rā, ā, ka hanga i ngā wāhi ka taea e ngā hoa noho te tūtaki. Kei roto i te whare ngā rūma noho, ngā whare noho e rua ngā rūma moe me te toru ngā rūma moe me ngā loft, me te rūma whakatā me ngā wāhi kākāriki i runga i te tāhuhu. Ka whakaratohia e ngā rautaki hāngū te māramatanga māori me te whakaangi.
Te Whakamihi
Mō te A' Design Award Hiriwa
Ko MareNostrum Whare Noho te toa o te A' Design Award Hiriwa, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa taumata teitei rawa, ātaahua me te whakamīharo. Ko ngā toa Hiriwa he mahi tino kanapa, tino auaha e whakaatu ana i te mātanga, te pūmanawa me te mōhio hōhonu o ā rātou kaihoahoa. E tūmanakohia ana ko MareNostrum Whare Noho he mahi whakamīharo, he tauira, he tino ngaio, he auaha hōhonu. Ko tēnei hoahoa i toa i te Hiriwa he hanganga rongonui, whakamīharotia e whai wāhi ana ki te whakawhānui i ngā rohe o te toi, te pūtaiao, te hoahoa me te hangarau. Ko MareNostrum Whare Noho he mahi e hae ana te tini, e whakaara ana i ngā hiahia, e kawe mai ana i ngā kare-ā-roto pai, ā, e whakaoho ana i te mīharo.
I Muri i te Hoahoa
Kete Pāpāho
Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.
- Āhuatanga Motuhake
- Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
- Inenga & Pēketanga
- The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
- Tūtohu
- Sea , Waves , Urban , Facade , Residential
- Hangarau Whakanao
- The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
- Wero Hoahoa
- The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
- Rangahau
- Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
- Whakaaweawe
- The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
- Roanga o te Kaupapa
- The project started in 2016 and was completed in 2019 in Quito, Ecuador.
- Rerenga Mahi
- The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun. - Ngā Mema o te Rōpū
- Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena - Whakamana Whakaahua
- BICUBIK
Kaitautoko
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