Ny endrika Zig Seza bory nataon'i Jules S. Jaffe dia mpandresy sarobidy amin'ny 2020 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanaka.

VyFanaka· 2020

Zig Seza bory

nataon'i Jules S. Jaffe

Mpanjifa: Jules S. Jaffe

Mpandresy A' Design Award Vy amin'ny Sokajy Fanaka

11,839

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #89459

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Zig Seza bory

Ny famolavolana dia aingam-panahy avy amin'ny faniriana haneho ireo toetra mampiavaka ny hazo amin'ny tontolon'ny fanamby ara-teknika izay mitaky hatsarana sy fampiasa. Ho an'i Jules S. Jaffe, ity no fanamby amin'ny famolavolana seza bory. Ny fanamby eto dia ny hanomezana fitoniana sy tanjaka mba handraisana fahatsapana maivana sy fihenjanana amin'ny famolavolana farany. Ny seza vokatr'izany dia manana tanjaka fakan-tahaka, saingy manana fahatsapana maivana sy milamina ihany koa ny geometry, izay nanomboka tamin'ny Pythagoreans izay niavian'ny mpamorona.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Zig Seza bory, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Zig Seza bory. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Zig Seza bory dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Refy & Fonosana: 505 x 185 x 180
Marika: stool, chair, sitting device
Teknolojia Famokarana: The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Fanamby Endrika: The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Fikarohana: As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Aingam-panahy: Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Faharetan'ny Tetikasa: The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Fizotr'asa: Simply sit on it.
Patanta: None
Mpikambana ao amin'ny Ekipa: Jules S. Jaffe (only)
Loharanon-tsary: Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.