Kumihimo Primary Function: Kitapo misy tady fanintonana nataon'i Tsuchiya Kaban Co., Ltd.

Ny endrika Kumihimo Primary Function: Kitapo misy tady fanintonana nataon'i Tsuchiya Kaban Co., Ltd. dia mpandresy sarobidy amin'ny 2026 A' Design Award Platina amin'ny Sokajin'ny Fifanintsanana Famolavolana Fanampiny Lamaody sy Dia.

PlatinaFanampiny· 2026

Kumihimo Primary Function: Kitapo misy tady fanintonana

nataon'i Tsuchiya Kaban Co., Ltd.

Mpanjifa: Tsuchiya Kaban Co., Ltd.

Mpandresy A' Design Award Platina amin'ny Sokajy Fanampiny

947,293

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #180948

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Kumihimo Primary Function: Kitapo misy tady fanintonana

Book Text: Ity kitapo ity dia mamerina mihevitra ny Kumihimo, izay teknika randrana nentim-paharazana japoney avy amin'ny vanim-potoana Edo. Amin'ny fanoloana ny zaitra amin'ny tady randrana mateza, ny famolavolana dia mahazo hery ara-drafitra sy fanalefahana indray. Ny endrika minimalista dia manasongadina ny fahaiza-manao, fa ny rafitra dia maneho ny Musubi, ny filozofia japoney momba ny fifandraisana ara-panahy sy ara-batana. Ity sanganasa ity dia mampifangaro tsy misy banga ny hatsaran-tarehy ara-tantara amin'ny fiainana andavanandro maoderina, mankalaza ny fatorana misy eo amin'ny zavatra sy ny tompony.

Ny Fankasitrahana

Momba ny A' Design Award Platina

Nandresy ny A' Design Award Platina ny famolavolana Kumihimo Primary Function: Kitapo misy tady fanintonana, fankasitrahana malaza indrindra omena ny famolavolana izay tena miavaka, tsara tarehy ary mahatalanjona. Ny mpandresy Platina dia fahagagana amin'ny famoronana, porofon'ny fetran'ny fahaiza-mamorona ara-tsaina, ary mampiseho ny fahaizana ara-barotra tsy manam-paharoa sy ny fahamoramoran-tsain'ny mpamolavola azy. Andrasana ho asa malaza indrindra ireo famolavolana ireo, izay mamaritra ny hakantony ara-zavakanto amin'ny vanim-potoana iray, manampy amin'ny fahasalamam-piarahamonina ary mampandroso ny sisintanin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia. Ny famolavolana Kumihimo Primary Function: Kitapo misy tady fanintonana dia mampiseho haavon'ny fahaiza-manao mihoatra ny fetra ary tsy isalasalana fa mahatonga ny tontolo ho toerana tsara kokoa noho ny toetrany mahasoa sy sarobidy. Ny famolavolana Kumihimo Primary Function: Kitapo misy tady fanintonana dia asa nandresy ny A' Design Award Platina izay mamaly ny faniriana, mamporisika, mampientam-po, mahafaly ary mamelona fifaliana lehibe.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Reinterpreting "KUMIHIMO" from the Edo period-a Japanese historical era (1603-1867), this bag features durability and flexibility through braiding. Minimalist design highlights the pure beauty of the technique. The structure symbolizes "MUSUBI," a concept signifying both physical links and spiritual bonds in Japanese. By joining leather parts with these cords, the design reflects this spirituality, delivering traditional beauty to daily life.
Refy & Fonosana: Size: H 210 × W 190 × D 150 mm
Handle Height: 105 mm (Metal Fittings), 150 mm (Drawstring Cords)
Marika: Traditional Crafts, Kinchaku, Kumihimo, Craftsmanship, Leather, Japan, Repairable
Teknolojia Famokarana: A work filled with our workshop's craftsmanship.
Consisting of 20 precision leather parts, this bag uses hidden stitching and manual thread finishing to highlight the KUMIHIMO's beauty. Edge-painting on all 100 holes ensures both friction reduction and beauty. The cords were made by the craftsperson Ryuta Fukuda. The fusion of Tsuchiya Kaban’s leather craft and Fukuda’s expertise breathes soul into every detail, embodying the value of traditional craft.
Fanamby Endrika: The challenge of this project was to integrate traditional Kumihimo into a daily bag, balancing harmony with leather and functional beauty. To resolve this, we adjusted the placement of parts by hand in millimeter increments. We strictly managed sewing precision and repeatedly verified knot types and hardware shapes. As a result, we realized a design that fits modern lifestyles, harmonizing two distinct products into a single craft.
Fikarohana: Integrating traditional design into modern life.
By researching Kimono culture and modern bag usage, we identified "functionality, tactile feel, and visual balance" as key elements for daily integration. Through three prototyping rounds, we refined leather selection, hardware shape, and braiding to harmonize tradition with modern utility. This research-driven design creates a product ideal for daily use, effectively reaching audiences unfamiliar with traditional crafts.
Aingam-panahy: A bag reinterpreting Japanese tradition for modern life.
This work reconstructs Kimono culture's beauty into a functional bag, harmonizing traditional aesthetics with daily life. Instead of applying crafts as they are, we refined the design to blend into modern wardrobes, removing the distance felt toward traditional crafts. By integrating "KUMIHIMO" into the structure, we aimed to make craftsmanship feel accessible through a modern appeal that invites people to pick it up and experience it.
Faharetan'ny Tetikasa: Started in June 2022 at Tsuchiya Kaban in Tokyo. Mass production was completed at the Tsuchiya Kaban workshop in January 2024, marking the end of the project. It is currently not for sale.
Fizotr'asa: A versatile bag designed for diverse styles and occasions.
This piece accents casual attire and functions as a sophisticated party bag for formal events. When paired with Kimono, it creates a modern look; its minimal yet deep design enhances any style. It offers two carrying options: a casual, relaxed style like a drawstring bag, and an elegant style using the original metal handle inspired by "Chagama" (a tea ceremony kettle), adding a unique touch to your movements.
Mpikambana ao amin'ny Ekipa: Traditional Craftsman (Kumihimo Braiding): Ryuta Fukuda