Near Figure Tranombakoka nataon'i Meng Zhao

Ny endrika Near Figure Tranombakoka nataon'i Meng Zhao dia mpandresy sarobidy amin'ny 2026 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Maritrano, Trano ary Rafitra.

VarahinaMaritrano· 2026

Near Figure Tranombakoka

nataon'i Meng Zhao

Mpandresy A' Design Award Varahina amin'ny Sokajy Maritrano

8,979

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #173036

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Near Figure Tranombakoka

Ny Near Figure dia tranombakoka natao ho an'i Helsinki, Failandy. Ny trano dia mikaroka ny toetra eo anelanelan'ny endrika azo fantarina sy tsy azo fantarina. Ny endrika dia mampita fahatsapana tanjona nefa mijanona ho tsy voavaha, ka miseho tsikelikely ny fahazoana mamaky azy rehefa mandeha mamakivavy ireo toerana ny mpitsidika. Lalana fivezivezena roa misaraka no mifamahofaho amin'ny alalan'ny fiovan'ny endrika ara-javakanto. Ny tranombakoka dia misy trano fampirantiana misokatra, efitrano fampirantiana, kafe, sehatra ivelany ary faritra fanaovana hetsika. Ny simenitra maitso sy ny hazo naverina nohodinina dia manatsara ny fiarovana amin'ny hafanana ary mampihena ny fivoahan'ny karbaona. Ny velaran'ny rihana totaliny dia 6400 metatra toradroa.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Near Figure Tranombakoka, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Near Figure Tranombakoka. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Near Figure Tranombakoka dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
Refy & Fonosana: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
Marika: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
Teknolojia Famokarana: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
Fanamby Endrika: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
Fikarohana: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
Aingam-panahy: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
Faharetan'ny Tetikasa: The project located in Helsinki Finland
Fizotr'asa: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
Loharanon-tsary: Designer: Meng Zhao Graphic: Meng Zhao